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   Istvan Kantor
Executive Machinery
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1999. Elektra Festival, Montreal, Quebec.

Istvan Kantor's continuous interest in the file cabinet is not a simple physical fascination or aesthetic obscession with the object but it rather represents a wider theoretical involvement with robotic sculptural systems and kinesonic information mechanisms. The simple monolithic file cabinets today are linked together by computers and integrated into a giant network that functions as a world wide information furniture machinery.