Barbara Astman Gallery Representation Corkin Gallery, Toronto Education 1970     Associate Degree, Rochester Institute of Technology School for American Craftsman, Rochester, New York 1973     Graduate, Ontario College of Art, Toronto, A.O.C.A. Academic Appointments 2002-present  Professor, Faculty of Art, Ontario College of Art & Design, Toronto 2001-2002      Professor, Chair, Photography. Faculty of Art Ontario College of Art & Design, Toronto 1975-2001      Faculty, Ontario College of Art & Design, Toronto 1978-1980      Faculty, York University, Toronto Community Involvement 1977-1983      Coordinator of Colour Xerox Artists' Program, Visual Arts Ontario, Toronto 1983-1985      Board of Directors, Art Gallery at Harbourfront, Toronto 1986-1989      appointed member, City of Toronto Public Art Commission 1988              member, Curatorial Team: WaterWorks Exhibition, Toronto (organized by Visual Arts Ontario) 1988              Chair: Toronto Arts Awards, Visual Arts Jury 1989-1992      Board of Directors, Arts Foundation of Greater Toronto 1999-2000      Educational Advisory Committee, Education Department, Art Gallery of Ontario, Toronto 2006-2010      Toronto Community Foundation, Arts on Track Committee, Toronto 2006-2011      Baycrest Hospital, Art Committee, Toronto 2009-present   Board of Trustees, Art Gallery of Ontario, Toronto 2009-present   Art Gallery of Ontario, Toronto, Canadian Curatorial Committee Curatorial Practice September, 2007- June 2010: Curatorial project for the Art Gallery of Ontario in collaboration with Assistant Curator, Georgiana Uhylarik, co-curating The Emergence of Feminism: Changing the Course of Art, an exhibition developed for Transformation AGO, featuring work from the 1960s and 1970s by Joyce Wieland, Suzy Lake, Lisa Steele and myself. These artists' use of performance, film, video, collage, textiles and photography challenged issues of gender and identity and created new ways of seeing the world. The installation was on view at the AGO from November 2008 to June 2010. Solo Exhibitions 2012     dancing with che: enter through the gift shop, McMaster Museum of Art Hamilton, Ontario 2011     dancing with che: enter through the gift shop, Kelowna Art Gallery, Kelowna, BC             Daily Collage, Corkin Gallery, Toronto 2009     Wonderland, Corkin Gallery, Toronto, Ontario 2007     The Newspaper Series, Corkin Gallery, Toronto, Ontario 2006     Clementine Part I, II & III, Corkin Gallery, Toronto, Ontario 2005     Revisiting Red and The Clementine Suite, Corkin Shopland Gallery, Toronto, Ontario             Clementine Part I, II & III, Yukon Arts Centre, Whitehorse, Yukon 2004     Barbara Astman: Clementine Part I, The Art Gallery of Windsor, Windsor, Ontario 2003     dancing with che, Corkin Shopland Gallery, Toronto, Ontario 2001     Paris Postcard, Jane Corkin Gallery, Toronto, Ontario 1999     Dreaming Impressionism, Jane Corkin Gallery, Toronto, Ontario 1998     Modern Fuel Gallery, Kingston, Ontario 1997     Scenes From a Movie For One, Jane Corkin Gallery, Toronto, Ontario 1996     Survey Exhibition Tour, Kamloops Art Gallery, Kamloops, British Columbia 1995     Barbara Astman: Personal/ Persona A 20-Year Survey Exhibition, Art Gallery of Hamilton,             Hamilton, Ontario (traveled to The Kitchener-Waterloo Art Gallery, Kitchener, Ontario;             Edmonton Art Gallery, Edmonton) (curated by Liz Wylie) 1994     The Gallery/ Stratford, Stratford, Ontario 1993     The Robert McLaughlin Gallery, Oshawa, Ontario 1992     The Laurentian University Museum and Arts Centre, Sudbury, Ontario 1992     Thunder Bay Art Gallery, Thunder Bay, Ontario 1990     Sable-Castelli Gallery Ltd., Toronto 1988     Sable-Castelli Gallery Ltd., Toronto 1986     Sable-Castelli Gallery Ltd., Toronto 1986     Musée du Québec, Quebec City 1986     Vu, Centre d´animation et de diffusion de la photographie, Quebec City 1984     Concordia Art Gallery, Concordia University, Montreal 1984     Sable-Castelli Gallery Ltd., Toronto 1983     Nickle Arts Museum, Calgary, Alberta 1983     Sable-Castelli Gallery Ltd., Toronto 1982     Centre culturel canadien, Paris 1982     Art Gallery of Peterborough, Peterborough, Ontario 1981     Sable-Castelli Gallery Ltd., Toronto 1981     Laurentian University Museum and Arts Centre, Sudbury, Ontario 1981     Mendel Art Gallery, Saskatoon, Saskatchewan 1981     Southern Alberta Art Gallery, Lethbridge, Alberta 1981     Student Union Building, University of Alberta, Edmonton 1981     Student Union Gallery, University of Delaware, Newark, Delaware 1980     Sable-Castelli Gallery Ltd., Toronto 1980     Whitewater Gallery, North Bay, Ontario 1980     Agnes Etherington Art Centre, Kingston, Ontario 1980     McIntosh Art Gallery, London, Ontario 1980     Bruce Art Gallery, Canton, New York 1980     Optica, Montreal 1979     A&Sable-Castelli Gallery Ltd., Toronto 1979     Jean Marie Antoine Gallery, Annapolis, Maryland 1977     Sable-Castelli Gallery Ltd., Toronto 1976     SAW Gallery, Ottawa 1975     National Film Board of Canada, Ottawa 1974     Ryerson Photo Gallery, Toronto 1973     Baldwin Street Gallery of Photography, Toronto Selected Group Exhibitions 2011     Becoming: Photographs from the Collection of John and Ginny Soule, Art Gallery of Hamilton, Hamilton, Ontario             New Acquisitions, Museum of Fine Arts, Boston, Boston, Massachusetts 2010     Art at Work: Corporate Collecting Practices Today, Art Gallery of Mississauga, Mississauga, Ontario             Natural.Disaster, McIntosh Gallery, University of Western Ontario, London, Ontario             Art School (Dismissed), Shaw Street School, Toronto 2009     Still Revolution:Suspended in Time, MOCCA (Museum of Contemporary Canadian Art) Toronto.             Part of Contact Photography Festival, Curated by David Liss and Bonnie Rubenstien 2009     Beautiful Fictions, Photography at the AGO – featuring the Vivian and David Campbell Collection, Contemporary             Galleries, Art Gallery of Ontario, Toronto, ON. Curated by David Moos. (Sep 9, 2009 -January 17, 2010.) 2009     Dancing While Driving, Corkin Gallery, Toronto 2008     CLICK, Art Gallery of Nova Scotia, curated by Sarah Filmore, Halifaz, NS. 2008     The Luminous Body, Curated by April Steele, Art Gallery of Peterborough, Peterborough, ON 2008     Transformation AGO, Art Gallery of Ontario, Toronto 2008     The Presence of Portraits, Corkin Gallery, Toronto 2008     Story Time: Narrative in Contemporary Art, Curator: Sara Knelman, Art Gallery of Hamilton, Hamilton, Ontario 2008     Nexus: Histories and Communities, Curator: Liz Wylie, Kelowna Art Gallery, Kelowna, BC 2007     Out of Body, Curator: Liz Christensen, Lobby Gallery, Deutsche Bank, New York, NY. 2007     Framed; The Art of the Portrait, Curators: Tobi Bruce, Patrick S Cable, Sara Knelman, Art Gallery of Hamilton,             Hamilton, Ontario 2007     Flat, Art Gallery of Alberta, Edmonton, Alberta 2007     Impulse Archaeology, WHITE BOX, (traveling exhibition) New York, NY 2007     Reading the Picture, Confederation Centre of the Arts, PE, curator: Siobhan Wiggans 2006     A Century of Art in Canada, Art Gallery of Peterborough, Peterborough, Ontario 2006     American Icons, Corkin Shopland Gallery, Toronto 2006     Expressions, Kitchener –Waterloo Art Gallery, Kitchener, Ontario 2006     Making Room, 224 Wallace Studios, Curator: Heather Nicol, Toronto, Ontario 2006     On Paper 2: Ideas of Order, Curator: by Liz Wylie, University of Toronto Art Centre, Toronto, Ontario 2005     Les Revenants, Le Mois de la Photo, MAI, (Montreal, arts interculturels), Montreal, Quebec             (curator: Martha Langford) 2005     Impulse Archaeology, Museum of Contemporary Canadian Art, Toronto 2005     American Icons, Corkin Shopland Gallery, Toronto 2005     From the Source, Corkin Shopland Gallery, Toronto, (Guest Curator: Paul Sinclair) 2004     Identities: Canadian Portraits, McMichael Gallery, Kleinburg, Ontario 2003     Absolute Shape: Celebrating 50 Years of Collecting, MacKenzie Art Gallery, Regina, Saskatchewan 2003     The Found and the Familiar, Snapshots in Contemporary Canadian Art, Touring: Confederation Centre             Art Gallery, Prince Edward Island; Gallery Connexion, New Brunswick; Art Gallery of Bishop's University,             Quebec (2004) 2002     Docu Lomo, Gallery TPW, Toronto, Ontario 2002     Celebrating 60 Years, McIntosh Gallery, The University of Western Ontario, London, Ontario 2002     Through Women's Eyes, Art Gallery of Ontario, Art Rental Gallery, Toronto, Ontario 2002     Three Artists: Barbara Astman, John Massey, Reinhard Reitzenstein, Exceler@tor, Toronto, Ontario 2001     Glo, Archive Inc., Toronto, Ontario 2001     Osmosis: the passage, Kitchener-Waterloo Art Gallery, Kitchener, Ontario 2001     site/seeing, Art Gallery of Ontario, Art Rental Gallery, Toronto, Ontario 2001     Taking on Colour: Technique in Colour Photography, Canadian Museum of Contemporary             Photography, Ottawa, Ontario 2001     Women of Substance: Images from the Collection, Art Gallery of Hamilton, Hamilton, Ontario 2001     The Art of Mentoring, Lieutenant Governor's Suite, Queen's Park, Toronto, Ontario 2000     From the Collection: Flowerpieces, Canadian Museum of Contemporary Photography, Ottawa, Ontario 2000     Photos géniques, Salle Alfred Pellan, Maison des arts de Laval, Montreal, Quebec 2000     Reflections On The Artist: Portraits and Self-Portraits, National Gallery of Canada, Ottawa, Ontario 2000     IMAGES, Photo Works From the Collection, Museum of Contemporary Canadian Art, North York, Ontario 1999     By Invitation: Pierre Theberge, Art Gallery of Hamilton, Hamilton, Ontario 1999     The Portrait, National Gallery of Canada, Ottawa, Ontario 1999     The Fine Line, Jane Corkin Gallery, Toronto, Ontario 1999     The Photography Lesson, York Quay Gallery, Harbourfront Centre, Toronto, Ontario 1998     Home Base, Kamloops Art Gallery, Kamloops, British Columbia 1998     glo, Archive, Toronto, Ontario 1997     Jane Corkin Gallery, Toronto, Ontario 1997     Narrative, Archive, Toronto, Ontario 1997     Beyond the Frame, Joseph D. Carrier Gallery, Toronto, Ontario 1997     glo, Archive, Toronto, Ontario 1996     The 7 deadly sins, Lonsdale Gallery, Toronto, Ontario 1996     Looking Back II, Southern Alberta Art Gallery, Lethbridge, Alberta 1995     Barbara Astman/ Jiri Ladocha, Art Gallery of Northern Ontario 1995     How Red Works, Art Gallery of Hamilton, Hamilton, Ontario 1995     Que sont Les Pionnières Devenues, Galerie Arts Technologiques, Montreal, Québec 1994     O.C.A. Faculty Exhibition, Terminal Art Gallery, Toronto, Ontario 1994     Interconnexions Copigraphiques, Montage 93, Visual Studies Workshop, Rochester, New York, travelling 1994     New Works in the Permanent Collection, Laurentian University Museum and Arts Centre, Sudbury, Ontario 1994     Looking Back II, Southern Alberta Art Gallery, Lethbridge, Alberta 1994     Hidden Values: Canadian Corporations Collect, McMichael Canadian Art Collection, Kleinburg, Ontario 1994     Suspensions, McIntosh Gallery, University of Western Ontario, London, Ontario 1993     Artists with Their Work Exhibition, Art Gallery of Ontario, Toronto, Ontario 1993     O.C.A. Faculty Exhibition, John B. Aird Gallery, Toronto, Ontario 1993     A Crowd of One, Art Gallery of Hamilton, Hamilton, Ontario 1992     Astman/ Dykhuis Exhibition, Art Gallery of Peterborough, Peterborough, Ontario 1990     Rock, is there something you?re not telling me?, The Koffler Gallery, North York, Ontario 1989     Kamloops Art Gallery, Kamloops, British Columbia 1989     75 Works for 75 Years: Masterworks from the Permanent Collection of the Art Gallery of Hamilton,             Art Gallery of Hamilton, Ontario 1988     Scripta Manent, La Galerie des arts Lavalin, Montreal, Québec 1988     Persons Award Exhibition (Status of Women, Government of Canada), Salon of the National Arts Centre,             Ottawa 1988     Canada-Mexico Photography Exhibition, Mexico City (touring) 1988     Porkkana Collection, Pro Museum of Contemporary Art, Finland 1987     Olympic Arts Festival, Billboard Project (touring) 1986     Canada Collects: Contemporary Sculpture from the Art Bank, Washington, D.C., Atlanta, San Diego (touring) 1986     Domiciles, Hallwalls Gallery, Buffalo, New York 1986     The Christmas Stocking, Laurentian University Museum and Arts Centre, Sudbury, Ontario 1985     Generation Polaroid, Forum des Halles, Paris, France 1985     Visual Facts, Third Eye Centre, Glasgow, Scotland (traveled to Graves Art Gallery, Sheffield, England)             (curated by Michael Tooby) 1985     Recent Canadian Sculpture: Selections from the Canada Council Art Bank, Winnipeg Art Gallery, Winnipeg,             Manitoba 1984     Edge and Image, Concordia Art Gallery, Concordia University, Montreal, Québec 1984     Immediate Art, Burlington Cultural Centre, Burlington, Ontario 1984     Art by Design, Canada House, London, England (touring) 1984     Responding to Photography, Art Gallery of Ontario, Toronto, Ontario 1984     Unconventional Photographic Images by Canadian Artists, Alvin Gallery, Stanley, Hong Kong 1983     Photographic Sequences, Art Gallery of Peterborough, Peterborough, Ontario 1983     Women in Focus, Vancouver, British Columbia 1983     Recent Acquisitions, Art Gallery of Ontario, Toronto, Ontario 1983     Toronto: Women Artists: Three Decades, Gallery Quan, Toronto, Ontario 1983     Chromaliving, The Colonnade, Toronto, Ontario 1983     The Hand Holding the Brush: Self-Portraits by Canadian Artists, London Regional Art Gallery,             curated London, Ontario (touring) (curated by Robert Stacey) 1982     Sable-Castelli Gallery Ltd., Toronto, Ontario 1981     Viewpoint: 29 x 9, Art Gallery of Hamilton, Hamilton, Ontario (toured in Ontario) 1981     Realism, Structure, and Illusion, Macdonald-Stewart Art Centre, Guelph, Ontario 1981     Xerox Art, A.C.T. Gallery, Toronto, Ontario 1981     The Sable-Castelli Gallery Ltd., Toronto, Ontario 1981     Reproduction Art, La Galerie Powerhouse, Montreal, Québec 1981     Xerographic Art, Motivation 5, Montreal, Québec 1981     Monumenta, YYZ Gallery, Toronto, Ontario 1980     The Innovative Image, Art Gallery Ontario, Art Rental, Toronto, Ontario 1980     The Eye of the Beholder, Art Gallery at Harbourfront, Toronto, Ontario 1980     Reflecting a Rural Consciousness, Canadian Cultural Centre, Paris, France 1980     Toronto, Part 1, Alberta College of Art Gallery, Calgary, Alberta 1979     Photo-Extended Dimensions, The Winnipeg Art Gallery, Winnipeg, Aberta 1979     Alternative Imaging Systems, Everson Museum, Syracuse, New York 1979     20 x 20 Italia/ Canada, Galerie Luca Polazzoli, Milan, Italy 1979     Translations: Images with New Forms, Factory 77, Toronto, Ontario 1979     H.F. Johnson Museum of Art, Cornell University, Ithaca, New York 1979     Suzy Lake/ Barbara Astman: Talking Photos, Artspace, Peterborough, Ontario 1979     Electroworks, George Eastman House, Rochester, New York 1979     SX 70, CEPA Gallery, Buffalo, New York 1978     The Canadian Connection, Neikrug Galleries, New York, New York 1978     National Film Board of Canada, Ottawa, Ontario 1978     Young Contemporaries ´78, London Regional Art Gallery, London, Ontario 1978     Contemporary Canadian Photographic Portraits, Edmonton Art Gallery, Edmonton, Alberta 1978     First Canadian Biennial of Prints and Drawings, Alberta College of Art, Calgary, Alberta 1977     Harbourfront Art Gallery, Toronto, Ontario 1977     Sable-Castelli Gallery Ltd., Toronto, Ontario 1977     The Instant Image, Camerawork Gallery, San Francisco, California 1977     Anna Leonowens Gallery, Halifax, Nova Scotia 1976     New Photographics/76, Ellensburg, Washington 1976     Women Photograph Men, Rockefeller Center, New York, New York 1976     Figurative Works, Gallery 696, Rochester, New York 1976     Alternatives, Camerawork Gallery, San Francisco, California 1976     Forum ´76, Montreal Museum of Fine Arts, Montreal, Québec 1976     Colour Xerography, Art Gallery of Ontario, Toronto, Ontario 1976     100 Years: Evolution of the Ontario College of Art, Art Gallery of Ontario, Toronto, Ontario 1975     Erotica, Lankin Camerawork Gallery, San Francisco, California 1975     Chairs, Art Gallery of Ontario, Toronto,Ontario 1975     Finger Lakes Exhibition, Rochester Memorial Art Gallery, Rochester, New York 1975     Rochester Institute of Technology, M.F.A. Gallery, Rochester, New York 1975     New Photographics ´75, Ellensburg, Washington 1975     Photographics ´75, National Film Board of Canada, Ottawa 1975     Breadth of Vision, Fashion Institute of Technology, New York 1975     Exposure, Art Gallery of Ontario, Toronto 1975     Déjà Vu Gallery, Toronto Public Collections Agnes Etherington Art Centre, Queen´s University, Kingston, Ontario Andrew White Museum, Cornell University, Ithaca, New York Art Gallery of Alberta, Edmonton, Alberta Art Gallery of Hamilton, Hamilton, Ontario Art Gallery of Ontario, Toronto, Ontario Art Gallery of Peterborough, Peterborough, Ontario Bibliothèque Nationale, Paris, France Canada Council Art Bank, Ottawa, Ontario Canadian Museum of Contemporary Photography, Ottawa, Ontario Confederation Centre of the Arts, Charlottetown, Prince Edward Island Department of Foreign Affairs, Ottawa, Ontario The Gallery/ Stratford, Stratford, Ontario The Government of Ontario Collection, Toronto, Ontario The Robert McLaughlin Gallery, Oshawa, Ontario International Museum of Photography, George Eastman House, Rochester, New York Kamloops Art Gallery, Kamloops, British Columbia Kelowna Art Gallery, Kelowna, British Columbia Kitchener/Waterloo Art Gallery, Kitchener, Ontario Laurentian University Museum and Arts Centre, Sudbury, Ontario Mackenzie Art Gallery, Regina, Saskatchewan McIntosh Gallery, University of Western Ontario, London, Ontario Museum of Contemporary Art Kiasma, Helsinki, Finland Museum Würth, Germany Nickle Arts Museum, Calgary, Alberta University of Toronto Art Centre, Toronto Victoria and Albert Museum, London, England Winnipeg Art Gallery, Winnipeg, Manitoba Yale University Art Gallery, New Haven CT Corporate Collections C.I.L. Corporation, Toronto Connor, Clark & Lunn, Toronto and Vancouver Deutsche Bank Collection, Berlin, Germany Hewlett-Packard Canada, Ltd., Toronto John Labatt Limited Collection, London, Toronto McMillan Binch, Toronto Nova Corporation, Calgary, Alberta Osler Hoskins and Harcourt, Toronto Polysar Limited Sherman & Sterling, Toronto UBS, Switzerland Public Art/Commissions and Related Activities 2007     National Magazine Award, Silver Award for the Newspaper Series as presented in Prefix Magazine, Toronto, ON             Private Commission, Present Tense, Christian Keesee, Oklahoma City, OK. This is a site-specific installation of             electrified suspended flashlights that project a variety of people's faces onto the floor of a custom-built room. 2006     The Murano on Bay, Toronto, Ontario. A public art project that incorporates colour photographic imagery on 217             exterior windows on the building. 2005     Loblaws Headquarters, Brampton, Ontario. A series of three site specific photographic murals for the atrium space. 2003     Canadian Embassy in Berlin, Germany. An image applied to the glass tower surrounding the Great Timber Hall. 2000     Centre For Jewish Campus Life, University of Toronto. In collaboration with Susan Friedrich Architect Inc. Designed             etched glass windows that encompass the spiritual room and act as a signifier for the identity of the building. 1999     The Portal Project, Baycrest Centre for Geriatric Care, Toronto, site specific photo murals for two series of six             residence entrances 1995     Simcoe Place Public Art Project, Cadillac Fairview Corporation, Toronto, Tribute, photographically etched glass             interior sculpture 1994     Police Service Award, Hamilton-Wentworth Regional Police, Ontario, photographically etched glass 1994     Simcoe Place Public Art Project, Cadillac Fairview Corporation, Toronto, Auorea, 14 photographically etched glass             interior windows 1993     Bay/Hayter Public Art Project, Bay/ Hayter Developments, Toronto, sidewalk of leaf-patterned cement pavers 1992     Creating Dances in Ontario Schools, National Ballet of Canada, a collaborative dance performance project with             Menaka Thakkar, Robert Stevenson and selected students of Baythorn Public School, Toronto 1991     City of Ottawa, Art in Public Places Programme, St. Laurent Complex Recreation Project, an integrated art and             architecture project; completion date, 1995-96 1991     Extension, a quarterly journal published by the Print and Drawing Council of Canada, Vol.1, No.1, Summer 1991,             cover commission 1990     CN Real Estate, exterior clock tower for CN Plaza, Toronto (unrealized to date) 1987     Calgary Winter Olympics '88, 1300-sq.-ft. inlaid floor design for the Olympic Speed Skating Oval 1987     Art on Billboards, Olympic Arts Festival '88 (traveled across Canada) 1981     C.I.L. Corporation, 4th-floor lobby, Toronto, photographic mural 1980     C.B.S. Records, Toronto, cover art for eponymously titled Loverboy album Reviews, Articles and Books anon. "Barbara Astman: experimenting with communication." Stages Magazine (Lethbridge, Alberta) vol.1, no. 3, Fall 1981, pp. 20-21. anon. Untitled short notice. Écoute Voir (Paris, France), no. 3, April, 1982, p. 12. anon. "Camera art exposed at Center." The Paris Free Voice (Paris, France) vol. 5, no. 4 ,April 1982,p. 1. anon. "Art and Architecture." Alberta Association of Architects? Newsletter (Calgary), vol. 2, no. 3, July 1983, p. 11. anon. "Exhibitions reveal views on the nature of perception." Western News, November 9, 1994, p. 9. anon. "Barbara Astman: Personal/ Person." Insights, Spring 1995, vol. 7, no. 1. anon. "Barbara Astman: Personal/ Persona." Kitchener-Waterloo Art Gallery Calender/ Newsletter,Summer 1995, vol. XII, no. 2. Abbot, Louise. "Words and Images." Afterimage. (Rochester, New York), November 1980, p. 18. Art Gallery of Ontario (with Gage Publishing Ltd.), Toronto, Exposure: Canadian Contemporary Photographers, 1975, p. 114. Astman, Barbara.. Untitled artist´s statement. Photo-Communiqué, vol. 2, no. 3, Fall 1980, pp. 40-41. Bayer, Fern. The Ontario Collection. Toronto: Ontario Heritage Foundation and Fitzhenry and Whiteside, 1984, pp. 275, 297, 298. Bennett, Bryan, and Constance P. Hall. Discovering Canadian Art: Learning the Language. Toronto: Prentice Hall Canada, Inc., 1984, p. 57. Black, Debra, Mentors help crack the glass ceiling, International Women's Week, The Toronto Star, Monday March 5, 2001, pp. C1 & C8. Bodolai, Joe. "Six Exhibitions; Barbara Astman: Déjà Vu Gallery of Photographic Art, January 6 - February 5." artscanada, Toronto, vol. XXX111, no. 1, April/ May 1976, p. 64. Bowen, Lisa Balfour. "Artist is red, black and fine." Toronto Star, April 5,1981. Bowen, Lisa Balfour. "Simply Red." The Sunday Sun, Toronto, April 16, 1995. Bowen, Lisa Balfour. "The Artful City." The Sunday Sun, Toronto, August 27, 1995,p. 10. Browne, Kelvin. "It isn't snap", National Post, Toronto, February 7, 2004, SP1, p. 9. Brunet, Carrie, "UJA Federation of Toronto host first annual artist awards." Annex Guardian, Toronto, October 15, 2004, p. 3. Burf, Kay. "Art: The Summer Show at the Still Photo Gallery: pictures to open our minds." Ottawa Revue, July 6, 1978, p. 5. Burnett, David, and Schiff, Marilyn. Contemporary Canadian Art. Edmonton: Hurtig Publishers, 1983, pp. 207-8. Bourduas, Céline. "LE MCPC, Une Vitrine Pur la Photographie Canadienne Contemporaine", Photo Selection Magazine, December 1997/January 1998, vol. 18, numero 1, Quebec, pp. 43-45 Canadian Encyclopedia, The. (entry by Karyn Elizabeth Allen) (Edmonton, Alberta): Hurtig Publishers, 1985, vol. I, p 110. Canadian Encyclopedia Plus, The. (entry by Karyn Elizabeth Allen) Toronto, McCelland and Stewart, 1966, CD Rom Contemporary Photographers, St. James Press, Detroit MI. Canadian Who's Who, University of Toronto Press Inc., Toronto, 1999. Canning, Barbel. "Survey shows being a woman no handicap in photography it may even be a plus." Canadian Photography Magazine, vol. 9, no. 12, January 1979, pp. 21-23. Carroll, Nancy. "Barbara Astman, Sable-Castelli Gallery, Toronto, January 5 to 19." Vanguard, vol. 9, no. 2, March 1980, 30. Coleman, A.D. " Letter from Toronto/NewYork, no. 86." Photo Metro, vol. 18, issue 157, San Francisco, California, pp. 30-31. Dault, Gary Michael. "Young Artist´s Sense of Humour come through in Xerox Prints." Toronto Star, November 8, 1974. Dault, Gary Michael. "Artist gets bound up in her work." Toronto Star, January 9, 1979. Dault, Gary Michael. "Photography: the impure narratives of Barbara Astman." Saturday Night Magazine, vol. 93, no. 5, June 1978,pp. 56-57 Dault, Gary Michael. "Barbara?s blow-up.?" Toronto Star, January 12, 1980, p. F-7. Dictionary of International Biography, Twenty-Eighth Edition, International Biographical Centre, Cambridge, England, 1999. Dowbiggin, Anna. "Instant Art." Wardair World, January 1985, pp. 40-41. Enright, Robert. "Three Photographers: Barbara Astman, Ruth Kaplan, Lori Newdick", Border Crossings, vol. 23, no. 1, May 2004, pp. 44-50, Winnipeg, Manitoba. Firpo, Patrick; Alexander, Lesler; Katayangi, Claudia and Ditlea, Steve. Copy Art. New York: Richard Marek Publishers, 1978, pp. 48-49. Freedman, Adele. "Gallery reviews." Globe and Mail, March 10, 1979, p. 38. Freedman, Adele. "Portrait: Toronto." Portfolio Magazine, April/ May 1980, vol. II, no. 2, pp.100-104. Freedman, Adele. "Janus is the god of the artworld." Fanfare, August 4, 1979, p. 9. Freedman, Adele. "Creating with Xerox´s 6500." The Globe and Mail, 1979. Fulford, Robert. "Photography and its discontents." Canadian Art,Spring 1995, vol. 12, no. 1, pp. 56-65. Gooderham, Mary "Work in Progress (97)", Globe and Mail, April 14, 1995, p. A13. Hanna, Deirdre. "Astman´s fruitful metaphor probes the beauty of aging." NOW Magazine (Toronto), September 6,1990. Haskell, Molly, and Hayes, Danielle B. Women Photograph Men. New York: William Morrow and Co. Inc.,1977, p. 118. Hazelgrove, Nancy. "Barbara Astman - Sable-Castelli Gallery." Artists’ Review (Toronto), vol. 3, no. 4, 1980. Henighan, Tom. The Maclean's Companion to Canadian Arts and Culture, Raincoast Books, B.C., 2000, pp. 84, 90. Holubizky, Ihor. " Barbara Astman - Jane Corkin Gallery." art/text, Austrailia, no.60, February - April 1998, p.97. Hlynsky David. "Like Smoke through a Keyhole: Symbolism and Metaphor in Contemporary Photography." BLACKFLASH (Saskatoon), Summer 1980, vol. 13.2. Howell-Koehler, Nancy. The Creative Camera. Worcester, Mass.: Davis Publications Inc., 1989, p. 8, and colour insert. Jordan, Betty Ann, "Gallery Going: Barbara Astman and Eadweard Muybridge at Jane Corkin." Globe and Mail, Toronto, October 4, 1997, p. C13. Jordan, Betty, Ann, " Gallery Going: Narrative at Archive." Globe and Mail, March 22, 1997, p. C11. Kieran, Michael. "Machine made for office allows copyart freedom." Globe and Mail, Toronto, December 1, 1980. Klages, Gregory. "Explore Yourself." ID Magazine, May 25-June l995, vol. 4, no.15. Kosowan, Gene, and Witwicki, E. Susan. "Turn Her Loose." Vue Weekly, October 5-11, 1995, issue #003. Kritzwiser, Kay. “Postcards return, thanks to xerography." The Globe and Mail (Toronto), July 24,1979. Langford, Martha. "The Wordworks of Barbara Astman." Canadian Womens’ Studies, vol. 2, no. 3, 1980, pp. 70-73. Liss, David. "Montreal, Copy Art: What Happened To The Pioneers?," artfocus (Toronto), Winter 1996, vol. 4, no. 2, pp. 20-23. Lypchuck, Donna. " The Scene is Dead." eye, November 14, 1996, vol. 6, issue 5, p. 9. Mahoney, Jeff. "Barbara Astman." The Spectator (Hamilton, Ontario), June 6, 1995, Section B, p. 1 McDougall, Arthur. "Barbara Astman, Southern Alberta Art Gallery, Lethbridge, September 5 to 27." Vanguard (Vancouver), vol. 10, no. 9, November 1981, p. 40. McWillie, Judith. "Exploring electrostatic print media." Print Review (New York, Pratt Graphics Center), no. 7 , 1977, pp. 75-81. Martin, Robert. "Two Picasso shows cover wide range (review)." Globe and Mail (Toronto), September 8, 1973, p 28. Mastin, Catherine M. "Changing Spirits: Canadian Art of the 1960's and 70's", Kamloops Art Gallery, Kamloops, B.C., 1998, pp. 8, 31-32. Martin, E. Sandra. "Living the Dream." MoneySense, February/March, 2004, vol. 6, no. 1, p. 47. Mays, John Bentley. "Xerography: the art of the stat." Globe and Mail (Toronto), May 31, 1980, p. 11. Mays, John Bentley, "Old linoleum gets new life," Globe and Mail, June 12, 1982. Mays, John Bentley. "Astman gives plastic new meaning." Globe and Mail, March 22, 1984, p. E-7. Mays, John Bentley. "Barbara Astman at the Sable Castelli Gallery." Globe and Mail, April 22, 1988. Mays, John Bentley. " The secret life of picture postcards." National Post, September 8, 2001, p. F8. Monk, Lorraine. The National Film Board Salutes International Women´s Year. Ottawa: National Film Board    of Canada, 1975; reprinted as The Female Eye/ Coup d´oeil feminin. Ottawa: National Film Board of Canada, 1975. Murray, Joan. "Astman´s Stepping Out." The Art Post (Toronto), vol. 2, no. 1, June/ July 1984, p. 9. Murray, Joan. "Canadian Art in the Twentieth Century." Toronto, Dundurn Press, 1999, pp. 167-170. National Film Board of Canada, Contemporary Canadian Photography from the Collection of the National Film Board. ( Foreward by Hugh MacLennan, Introduction by Martha Langford) Edmonton: Hurtig Publishers, 1984, p. 110. National Film Board of Canada, Ottawa. The National Film Board Salutes International Women's Year, 1975, reprinted as Monk, Lorraine, The Female Eye/Coup d'oeil féminin, Ottawa: National Film Board of Canada, 1975. Nations, Opal L. "The Man Who Entered Pictures: Barbara Astman at Sable-Castelli." Only Paper Today, vol. 4, no. 7, October 1977, p. 6. "Notices: Exhibits." Afterimage (Rochester, New York) vol. 7, no. 6, January 1980, p. 19. Outstanding People of the 20th Century, International Biographical Centre, Cambridge, England, 2000. Oxorn, Pearl. "NFB Exhibition: Photography – a ‘magic’ medium." Ottawa Journal, July 8, 1978, p. 30. Parkin, Jeanne. Art in Architecture. Toronto: Visual Arts Ontario, 1982, p. 125. Pawlenko, Lydia. "Barbara Astman, Sable-Castelli Gallery Ltd., January 5-19.” artscanada, Toronto, vol. 37, no.1, April/ May 1980, pp. 39-40. Penaloza, Si Si. "Beautiful Blasphemy." NOW Magazine (Toronto), vol. 18, no. 37, May 13-19, 1999, p. 40. Penaloza, Si Si. Toronto, An Art Scene Not to be Missed, Art News, New York, vol. 99, no. 9, October 2000, pp. 113-120. Perdue, Jane."Astman´s Travels." NOW Magazine (Toronto), March 13, 1986. Purdie, James. "Gallery reviews." Globe and Mail (Toronto), January 12, 1980. Reeves, John. "Art in a snap: SX-70 expressionism." Toronto Life, June 1980, pp. 54-57. Reeves, John. "Through their Eyes." City Woman (Toronto), Fall 1980, pp. 55-61. Richardson, J.E. "Toronto Colour Xerography Show at the AGO." Artmagazine (Toronto), vol. 8, no. 30, December 1976/January 1977, pp. 19-22. Saint-Jacques, Rosanne. "Barbara Astman: Peut-Être un ‘Body Art’ Photographique." Parachute (Montreal), Spring 1981, no. 22, pp. 40-41. Saunders, Douglas, "Contemporary art's corporate dividends." Globe and Mail, January 18, 1997. Scholl, Jane D. "Press the button - and out comes art." Smithsonian (Smithsonian Institution, Washington, D.C.), vol. II, no. 7, October 1980. Siebert, Sherrill. "Artist Astman gets personal with persona.", Sight Lines, 'Loops Magazine, February 1996. Soodeen, Jeanine, "Performance ties works together." Kamploops This Week, January 24, 1996, p. 27. Sykes, Claire. "Barbara Astman, Insider Profile." Photo Insider, New Jersey, vol. 21, November/December, 2000, pp. 36-39. Teres, Rosemary. "Three artists take modern look at the human figure." Rochester Times-Union, (Rochester, New York), June 12-19, 1976. Tippett, Maria. By a Lady: Celebrating Three Centuries of Art by Canadian Women.Toronto: Penguin Books Canada Ltd, 1992, pp. 171-72. Tousley Nancy. "Linoleum resurfaces - in the form of art." Calgary Herald, June 23,1983. Turner Ralph. "Art Exhibition from Ontario now at Canada House Gallery." Canada Today / D'aujourd'hui,no. 6, London, England (Canadian High Commission), 1986, pp. 15-16. 2000 Outstanding Intellectuals of The 20th Century, International Biographical Centre, Cambridge, England, 1999. 2000 Outstanding Artists and Designers of The 20th Century, International Biographical Centre, Cambridge, England, 1999. Van Dusen, Ray. "Photos and Other Media." (undated review clipping from 1975), The Ottawa Citizen, (on file at CMCP). Wade, Kent. Alternative Photographic Processes. New York: Morgan and Morgan Inc., 1978, colour insert. Walker, Susan. Art by Numbers, The Toronto Star, Saturday June 1, 2002, p. K6 Weiner, Gary. "Barbara Astman: an Olympian Artist." Irondequoit Press, (New York), February 9, 1988. White, Stephanie. "Michael Hayden, Barbara Astman, Nickle Arts Museum, Calgary, July 10 to 31." Wright, David. "On Sabbatical." Sketch, Toronto, Spring 2004, cover and pp. 7-8. Vanguard (Vancouver), vol. 12, no. 7, September 1983, pp.: 53-54. Wright, Judy. "The Art of Barbara Astman and Fern Helfand." artmagazine (Toronto), vol. 6, no. 19, Fall 1974, pp. 13-15. Who's Who in America, New Providence, New Jersey, 1999. Wylie, Liz. "Astman's slick photos unveil myths of romance." NOW Magazine (Toronto), April 14, 1988. Wylie, Liz. "Barbara Astman", Canadian Art, Fall 2003, vol. 20, no. 3, p. 139. Zemans, Joyce. "Colour Xerography, Art Gallery of Ontario, October 26 - November 2, 1976." artscanada 63, vol. XXXIV, no. 1, March/ April 1977, pp. 62-63. Exhibition Catalogues Alberta College of Art Gallery, Calgary (essay by Val Greenfield). [1980] Alberta College of Art Gallery, Calgary. First Canadian Biennial of Prints and Drawings, 1978. Art Gallery at Harbourfront. The Eye of the Beholder, 1980. Essay by Anita Aarons. Art Gallery of Hamilton, Hamilton, Ontario. Seventy-Five Years (1914-1989), 1989. Art Gallery of Hamilton, Hamilton, Ontario. Viewpoint: Twenty-Nine by Nine, 1981, Essay by Glen E. Cumming. Art Gallery of Hamilton, Hamilton, Ontario. Barbara Astman: Personal/Persona, A 20-Year Survey Exhibition, 1995, Essay by Liz Wylie. Art Gallery of Ontario, Toronto. 100 Years: Evolution of the Ontario College of Art, 1977. Art Gallery of Ontario, Toronto. Colour Xerography, 1976. Curated by Karyn Allen. Art Gallery of Peterborough, Peterborough, Ontario: Barbara Astman, 1982. Art Gallery of Peterborough, Peterborough, Ontario: Photographic Sequences, 1983. Introduction by Jann Bailey. Canada House Cultural Centre Gallery, London, England. Art by Design, 1984. Central Washington State College, Ellensburg, Washington. New Photographics 76, 1976. Centre culturel canadien, Paris. Barbara Astman: Rouge/Red, exhibition catalogue with essay by Karyn Allen, 1982. Direction des affaires culturelles de la Ville de Paris, Paris Audiovisuel. Génération Polaroid, 1985. Edmonton Art Gallery. Sweet Immortality: A Selection of Photographic Portraits, 1978. Curated by Doug Clark. George Eastman House, Rochester, New York. Electroworks, 1979. Essay by Marilyn McCray. Herbert F. Johnson Museum of Art, Corenell University, Ithaca, New York, Translations: Photographic Images with New Forms, 1979. Italia/Canada Committee for Cultural Exchange, Toronto. "20x20" Italia-Canada, 1979. The Koffler Gallery, North York, Ontario. Rock, is there something you're not telling me?,1990. Essay by Ihor Holubizky. Lavalin, Montreal. Scripta Manent, 1988. Essays by Léo Rosshandler and Céline Mayrand. London Regional Art and Historical Museums, London, Ontario. Selections from the John Labatt Limited Collection, 1989. London Regional Art Gallery, London, Ontario. Young Contemporaries, 1978. Macdonald Stewart Art Centre, Guelph, Ontario. Realism: Structure and Illusion, 1981. Curated by Judith and David Nasby. Maison des Arts de Laval, Quebec. Photo Géniques, 2000. Essay by Monique B. Weinmann. McIntosh Gallery, University of Western Ontario, London, Ontario. Barbara Astman, 1980. Essay by Joyann Saunders. National Film Board of Canada, Ottawa. Photography 1975, exhibition catalogue 1975. National Film Board of Canada, Ottawa. Portraits, 1981. National Film Board of Canada, Ottawa. Words and Images, 1980. Nickle Arts Museum, Calgary, Alberta. Barbara Astman: Places, 1983. Essay by Karyn E. Allen. Ontario College of Art, Toronto. Experimental Faculty, 1980. (includes interview with Astman by Shelagh Alexander. Ontario House, Paris France. Aperçu de l'art de l'Ontario (Ontario Art on View), [1982]. Royal Canadian Academy of Arts. Spectrum Canada, 1976. Southern Alberta Art Gallery, Lethbridge, Alberta. Barbara Astman: Red, 1981. Essay by Adele Freedman. Stacey, Robert. The Hand Holding the Brush: Self Portraits by Canadian Artists. London: London Regional Art Gallery, 1983, pp. 116-117. Stacey, Robert. Into the Deep End, The Art of Mentoring at the Ontario College of Art & Design, Lieutenant Governor's Suite, Queen's Park, Toronto, 2000. Third Eye Centre, Glasgow, Scotland. Visual Facts, 1985. Essay by Michael Tooby The Winnipeg Art Gallery, Winnipeg, Manitoba. The Winnipeg Perspective, 1979. Essay by Karyn Allen. Reproductions (no text, includes artist's designed photo inserts) Canada: A Portrait, Ministry of Industry, Statistics Canada, 1999, p. 40. C Magazine, #9, Spring 1986, pp. 28-32. Desperate Act 3, Winter 1996, cover art. (Rochester, New York). Fireweed, No. 5 & 6, Winter, 1979/80, Spring 1980, pp. 43-45. Image Nation, (Coach House Press, Toronto), nd, no. 12, pp. 10, 27-29. Image Nation, (Coach House Press, Toronto), nd, no. 15, pp. 4, 42. Image Nation, (Coach House Press, Toronto), nd, no. 16, pp. 6-12. Impressions, (Ottawa: National Film Board of Canada) 92, 9, 1974, non. pag. Impulse, vol. 4, no. 4/5, Summer, 1974, p. 55. Impulse, vol. 4, no. 2, Spring, 1975, pp. 12-14. Impulse, vol. 9, no. 1, Spring, 1981, pp. 11-12. Ovo Photo, no. 17/18, September/October, 1974, p. 67. Ovo Photo, no. 19, January/February, 1975, p. 10. Saturday Night, vol. 117, no. 2, May 2002, p. 7. ShotBox, "Secrets", Postcard Set, Toronto. Toronto Life, vol. 34, no. 12, August 2000, pp. 92-93. Selected Lectures and Workshops Given Art Gallery of Ontario, Toronto, Ontario, (2004) Alfred State University, Alfred, New York Art Institute of Cincinnati, Cincinnati, Ohio, (2004) The Banff Art Centre, School of Fine Arts, Banff, Alberta Canadian Centre of Photography, Toronto, Ontario Concordia University, Montreal, Quebec Dundas Valley School of Art, Dundas, Ontario Emily Carr College of Art, Vancouver, British Columbia Glasgow School of Art, Glasgow, Scotland (2003) The International Center for Photography, New York International Museum of Photography, George Eastman House, Rochester, New York London Regional Art Gallery, London, Ontario Mount Allison University, Sackville, New Brunswick Sheridan College, Oakville, Ontario Trent University, Peterborough, Ontario University of Delaware, Newark, Delaware University if Guelph, Guelph, Ontario University of Southern California, Los Angeles, California Visual Studies Workshop, S.P.E. Conference, Rochester, New York The Women's Interart Center, New York, New York Nova Scotia College of Art and Design, Halifax, Nova Scotia Powerhouse, Montreal, Quebec Rutgers University, New Brunswick, New Jersey Kamloops Art Gallery, Kamloops, British Columbia Edmonton Art Gallery, Edmonton, Alberta