Max Dean 1949    Born in Leeds, England (Canadian Citizen) 1971    B.A. (Art History), University of British Columbia, Vancouver Selected Solo Exhibitions 2004    Snap, Susan Hobbs Gallery, Toronto 2002    National Gallery of Canada, Ottawa            Ottawa Art Gallery, Ottawa            Mist, Susan Hobbs Gallery, Toronto 2000    Any Moment, Susan Hobbs Gallery, Toronto 1996    As Yet Untitled, Art Gallery of Ontario, Toronto 1992    Skins, Georgian College, Barrie 1991    Storefront Installation, 31 Maple Avenue, Barrie Selected Group Exhibitions 2004    Facing History, Canadian Cultural Centre, Paris 2003    The Bigger Picture, Ottawa Art Gallery, Ottawa            Future Cinema, ICC, Tokyo, Japan            Future Cinema, Kiasma, Helsinki, Finland 2002    Future Cinema, ZKM, Karlsruhe, Germany            The Found and the Familiar: Snapshots in Contemporary Canadian Art, Gallery TPW, Toronto            Iconoclash, ZKM, Karlsruhe, Germany 2001    Facing History, Presentation House, Vancouver            Platea dell'umanita, La Biennale di Venezia 49a Esposizione Internazionale d'Arte, Venice, Italy            Quality Control, Site Gallery, Sheffield, England 2000    Canadian Stories, Ydessa Hendeles Art Foundation, Toronto            Voici, 100 years of contemporary art, Palais des Beaux-Arts, Brussels, Belgium            Umedalen Skulptur, Umea, Sweden            The Fifth Element, Kunsthalle Düsseldorf, Düsseldorf, Germany 1999    Still Life, York Quay Gallery, Toronto            d'APERTutto, La Biennale di Venezia 48a Esposizione Internazionale d'Arte, Venice, Italy 1996    Prospect 96, Frankfurter Kunstverein, Frankfurt, Germany 1994    Three Small Rooms, MacLaren Art Centre, Barrie 1992    Masks and Metaphor, MacLaren Art Centre, Barrie            Localmotive, Toronto 1989    Luminous Sites, Or Gallery, Vancouver            Gardens, Artscourt, Ottawa 1987    Memory/Souvenir, The Festival of the Arts, Ottawa 1986    Artists-in-Residence, The National Museum of Science and Technology, Ottawa 1983    The Berlin Project, Montreal Museum of Fine Arts, Montreal 1982    O'Kanada, Akademie der Künste, Berlin, Germany 1980    Compass/Winnipeg, Harbourfront Art Gallery, Toronto            Pluralities, National Gallery of Canada, Ottawa 1979    Form and Performance, Winnipeg Art Gallery, Winnipeg 1978    Obsessions, Rituals, Controls, Norman Mackenzie Art Gallery, Regina 1976    The Mid-Western, Winnipeg Art Gallery, Winnipeg            Mosaicart, Cultural Olympics, Montreal            Sculpture on the Prairies, Winnipeg Art Gallery, Winnipeg            Artists' Prints and Multiples, Winnipeg Art Gallery, Winnipeg            True Confections, Burnaby Art Gallery, Burnaby 1975    Royal Horse's Mouth Piece, The Dandelion Gallery, Calgary 1974    SCAN (Survey of Canadian Art Now), Vancouver Art Gallery, Vancouver 1973            Pacific Vibrations, Vancouver Art Gallery, Vancouver Events 1982    _ _ _ _. National Gallery of Canada, Ottawa 1981    Pass It On, An installation for Performance organized by Parachute, Drummond Medical Building, Montreal 1980    A, B, ou C, Montreal Museum of Fine Arts, Montreal            _ _ _ _. lle Biennale de la ville de Paris, Paris 1979    Untitled, The Living Art Performance Festival, Vancouver            Thirty Minute Sketch, Norman Mackenzie Art Gallery, Regina 1978    Room 321: A Collective Work with the Students of the University of Ottawa, Ottawa            _ _ _ _. Performance Festival, Montreal Museum of Fine Arts, Montreal 1977    Two Hands for CAR, CAR Miniature Show, Fleet Gallery, Winnipeg            Drawing Event, Winnipeg Art Gallery, Winnipeg            Max Dean: A Work, Winnipeg Art Gallery, Winnipeg 1975    ART (A Snow Sculpture), The Ottawa River Parkway, Ottawa 1975    To Be Read As It Is (Billboard), Georgia & Denman Intersection, Vancouver 1973    Large Yellow Duck, Stanley Park, Vancouver Bibliography - Books & Periodicals Atkins, Gillian Yates. Max Dean: Enacting [Art]ificial Life. Parachute, 112, Fall 2003, p.74-80 Baert, Renee, Max Dean: Catalogue of an exhibition held at the Ottawa Art Gallery, Essays by Renee Baert and     Michelle Hirschhorn, 2005, 80 pages. Bradley, Jessica and Johnstone, Lesley, editors. Sightlines: Reading Contemporary Canadian Art. Montreal:     Artexte Editions, 1994 _______. On James Carl and Building a Public Collection. Canadian Art, vol.18, no.4, Winter 2001 Carr-Harris, Ian. Max Dean and Cate Elwes. contemporary, January 2002, p.92 Dault, Gary Michael. Mixed Media. Canadian Art, vol.13, no.2, Summer 1996, p.77 Froelich, Peter. Blurbs: Performance Festival - The Montreal Museum of Fine Arts. Parachute, no.12, Autumn 1978 Fry, Philip. Max Dean,. Parachute, no.14, Spring 1979 Greyson, John. Sound Sculpture. Vancouver: A.R.C. Press, 1975 Jordan, Betty Ann. Max Dean at Susan Hobbs Gallery. Toronto Life, July 2000 Love, Karen. Facing History: Portraits from Vancouver. Vancouver: Arsenal Pulp Press, 2002 Mark, Lisa Gabrielle. Max Dean at Susan Hobbs Gallery. Artforum, November 2000 _______. Button Pusher. Canadian Art, vol.18, no.1, Spring 2001, p.54-59 Mason, Joyce. Selection Necessary. C Magazine, #51, October- December 1996, p.20-25 Miller, Earl. Max Dean. Parachute, Spring 1997, p.86 Nemeczek, Alfred. Und Noch Immer Erwweitert Sich der Kunstbegriff. Art das Kunstmagazin, 6/1997, p.48-50 Racine, Rober. Festival de Performances du M.B.A.M., Parachute, no.13, Winter 1978 Spring, Justin. Photo Finish. Art & Text, no.54, 1996, p.74-75 Storr, Robert. Prince of Tides ... ArtForum, May 1999, p.160-165 _______. Harry's Last Call. ArtForum, September 2001, p.159 Triscott, Nicola. The Plateau: View from the high plains of art. Leonardo digital reviews, September 2001 Newspapers Borràs, Maria Lluisa. La Bienal de Venecia refleja la vision del mundo actual que tienen los artistas. La Vanguardia,     10 June 2001 Dault, Gary Michael. Max Dean's robots raise human questions. The Globe and Mail, 1 July 2000 _______. Max Dean at the Susan Hobbs Gallery. The Globe and Mail, 2 March 2002 Gopnik, Blake. Sacrificial Icons Led to the Shredder. The Globe and Mail, 27 July 1996 _______. Moments of truth, traces of fiction. The Globe and Mail, 21 November 2000 Gordon, Daphne. Group of 5 reach world audience. The Toronto Star, 1 July 2001 Herholzier, Michael. Fotographie Als Hohe Kunst Der lnszenierung. Frankfurter Allgemeine, 10 March 1996 Hirschmann, Thomas. Susan Hobbs Gallery- Max Dean. The National Post, 8 July 2000 Hume, Christopher. Will photos live or die? It's up to viewer. The Toronto Star, 22 May 1999 Kimmelman, Michael. The Art ofthe Moment. The New York Times, 1 August 1999 Levin, Kim. Navigating the Venice Biennale's Sprawling Interzone Panic Attack. The Village Voice, 25 June 2001 Milroy, Sarah. What's happened to Venice? The Globe and Mail, 26 June 2001 Robinson, Walter. Venice Divertimondo. Artnet Magazine, 7 June 2001 Temin, Christine. At the Biennale, the art's all over the map. The Boston Globe, 1 July 2001 Exhibition Catalogues Andersson, Stefan. Umedalen Skulptur 2000. Umeå, Sweden: Galleri Stefan Andersson, 2000 Augaitis, Daina and Henry, Karen. Luminous Sites. Vancouver: Video Inn/The Western Front, 1986 Harten, Jürgen. The Fifth Element. Düsseldorf: Kunsthalle Diisseldorf, 2000 Holmes, Willard. Pluralities. Ottawa: National Gallery of Canada, 1980 Latour, Bruno and Weibel, Peter. Iconoclash: Beyond the Image Wars in Science, Religion, and Art. Karlsruhe:     ZKM, 2003 McKibbon, Millie. Form and Performance. Winnipeg: Winnipeg Art Gallery, 1979 Pontbriand, Chantal, editor. Performance Text(e)s & Documents. Montreal: Parachute, 1981 Théberge, Pierre. O'Kanada. Berlin: Akademie der Künste, 1982 Shaw, Jeffrey and Weibel, Peter. Future Cinema: The Cinematic Imaginary after Film. Karlsruhe: ZKM, 2002 Szeemann, Harald. 48. Esposizione Internazionale d'Arte, la Biennale di Venezia. Venice: Electa, 1999 _________. 49. Esposizione Internazionale d'Arte, la Biennale di Venezia. Venice: Electa, 2001 Weiermair, Peter. Prospect 96. Frankfurt: Frankfurter Kunstverein, 1996.