The Canadian Art Database
 

   
Trevor Gould

trevorg@ca.inter.net


BORN

Born in Johannesburg, South Africa
Lives and works in Montréal, Québec

SOLO EXHIBITIONS

2000         Posing for the Public, Amos Quebec.
                Centre d’art contemporain Basse Normandie, France.
                Canadian Cultural Center, Paris, France.
2001         Pictorial Living, Arte Giani, Frankfurt Germany
                Palm Grove, Gallery 101 Ottawa Ont.
                Posing for the Public, Art gallery of Hamilton, Hamilton Ont. (Publication) Hamilton Art Gallery
1999         Trevor Gould, Art Lab, Galerie Ernst Hilger Vienna, Austria.
                Framing Nature, Posing for the Public, The Edmonton Art Gallery, Edmonton Alberta.
1998         Posing for the Public, Série projet 23 Musée d’art contemporain de Montréal, Québec. (Curated by Sandra Grant-Marchand)
1997         Bibelots, Galerie Circa, Montréal, Québec.
1996         UN Vasto Mondo, The Box, Turin, Italy.
                Primary Colours, The Fig, Johannesburg, South Africa.
1995         Centre Culturel de l'Université de Sherbrooke, Sherbrooke, Québec.
                Conservatory, The Box, Turin, Italy.
                Présentation du projet African English Pavilion, Galerie Rochefort, Montréal, Québec.
1994         Étude pour une exposition universelle, Galerie des Arts Université Laval, Quebec City, Québec.
1993         Trevor Gould: Inventing a Homeland, The Gallery at Arts Court, Ottawa, `Ontario.
                Looking Awry, Southern Alberta Art Gallery, Lethbridge, Alberta
                Galerie Chantal Boulanger, Montréal, Québec.
1992         African English, Galeria Potocka, Krakow, Poland.
                Crop, Centre for Contemporary Art, Ujozdowski Castle, Warsaw, Poland.
1991         Drawings, Ufundi Gallery, Ottawa, Ontario.
1990         Some Times Called Monument. YYZ Artists Outlet, Toronto, Ontario.
1989         Sculpture and Drawing, Galerie Christiane Chassay, Montréal, Québec.
                Apartment, Piwna Gallery, Warsaw, Poland.
                Mountain/Gora, Akumulatory 2 Gallery, Poznan, Poland.
                New Sculpture, Galerie Christiane Chassay, Montréal, Québec.
1987         Drawings, Ufundi Gallery, Ottawa, Ontario.
1986         Artist's Resources Centre Gallery, Toronto, Ontario.
                New Sculpture, Galerie Christiane Chassay, Montréal, Québec.
1984         It’s not what it is that is important, but what you call it, Axe-Néo 7, Hull, Québec.
1980         Boundaries, York Gallery, Ottawa, Ontario.

GROUP EXHIBITIONS

2002         Moving ideas: Dust on The Road, (Curated by Peter White), MAI Centre Culturelle de Montréal, Québec
                HôPITAL, site specific project in Hôpital Bellechase, Gallerie Articule project, Montreal QC.
                Dazibao célébre ses vingt ans! (curated by Ghislaine Charet) Dazibao Centre de photographes actuelles, Montréal Quebec.
2000         Creatzioni della Memoria, (curated By Andrea Busto,) with Stephan Balkenhol, Eric Dietman, Trevor Gould, James Hyde,
                Richard Long, Luigi Mainolfi. Catalogue, Ars Nova Edizioni, Turin, Italy
                Hotel Motel. Trevor Gould Jerry Allen, Performance Art in Montreal. October November 1999
                New Republics: Contemporary art from Australia ,Canada, and
                South Africa. Edmonton Art Gallery Edmonton, (Curated by Sunil Gupta) Touring Australia ,Canada, and South Africa.
                Une millenaire a l’autre Volet 2. City of Montréal out door project, Parc promenade Bellerive, Montréal, Quebec
1999         Cocktail OBORO. célébre les Productions 1999 de TechnOboro, Montréal Quebec.
                Living Sculpture Le Grande Reservoir, C.H.U. De Bicetre, Paris, France
                Hotel Motel. Trevor Gould Jerry Allen, Live at the end of the Century. Performance Art in Vancouver. October-November 1999
                Percorsi Frames: presenze nel territorio, Valle Cerrina ,Italy. (Curated by Tiziana Conti) with , Marco Bagnoli, Per Barkley,
                Umberto Cavanago, Trevor Gould, Thorsten Kirkhoff, Sylvio Wolf. Catalogue L’artimo Fuggente, Cerrina, Italy
                New Worlds. Contemporary art from Australia ,Canada, and South Africa. Canada House London, England. (Curated by Sunil Gupta)
                Touring Australia ,Canada, and South Africa.
                Land Marks. National Gallery of Canada. (Curated by Germain Koh)
1998         The Leaf Thief, La Biennale de Montréal 98, Centre International D’Art Contemporain De Montréal
1997         BLAAAST, Eglise Saint-Pierre-Apôtre. Galerie Rochefort, Montréal Québec.
                Sur l’expérience de la ville, Optica, Montréal, Québec.
                en cause Brancusi, Axe-Néo 7, Hull, Québec.
                Artefiera ‘97 Bologna Padiglione 34 stand D52 - E53 Galleria The Box, Bologna Italy
1996         Remembrance of Things Past: Southern Alberta Art Gallery, Lethbridge Alberta
                Discernment: The Building of a Public Collection, The Ottawa Art Gallery, Ottawa Ontario
                L’oeil du collectioneur. Musée d’art contemporain de Montréal, Montréal, Québec.
                Border-Line, Artissima ‘96, Stand BY Galleria The Box, Turin, Italy.
                Blitz, Galerie Rochefort, Toronto, Ontario.
                Leda il Signio, Alberto Weber Galerie, Turin, Italy.
                Galerie Rochefort, Montréal, Québec.
1995         Chefs-d’oeuvre. The Box Turin, Italy.
                Secousse: La photographic hors d’elle-même, Galeria Gian Ferrari Ate Contemporaine, Milan, Italy.
                Dons 1989 - 1994. Musée d’ art contemporain de Montréal Québec.
                Africus '95, Johannesburg Biennale, Johannesburg, South Africa.
1994         Drawings: Bogardi, Lemoyne, Gould, Galerie Rochefort, Montréal, Québec.
                Les effets de la maquette sur le travail de l'artiste, Axe-Néo 7, Hull, Québec.
                Recent Acquisitions, Bina Ellen Art gallery, Concordia University, Montréal
                De Causis et tractatibus, Axe-Néo 7, Hull, Québec.
1993         Book endS & Odd Books: Publications refuting conventional form from the Banff Centre Library Collection, Walter Phillips Gallery,
                Banff, Alberta. Cartographies Variables, Galerie de l'UQAM, Montréal, Québec.
                Fiction and Function, (collaboration with Wolgang Luy) Kunsthalle II, Innsbruck, Austria.
1992         Kolekcja 1, Centrum Sztuki Wspolczenej, Warsaw, Poland.
                Kunst Aus Québec, Clara Maria Sels Gallery, Düsseldorf, Germany.
1991         Articulations, Centre Expression, St. Hyacinthe, Québec.
                A Tribute to Eva Hesse's gift to Sol Lewitt, Axe-Néo 7, Hull, Québec
1990         Dutkewych, Gould, Goulet, Galerie Christiane Chassay, Montréal, Québec
1988         Le dessin errant: The Ninth Dalhousie Drawing Exhibition, Dalhousie University Art Gallery, Halifax, Nova Scotia,
                Concordia University Art Gallery, Montréal, Québec; Musée du Québec, Québec City, Québec.
                Snakes in the Garden, Arts Court/La cour des arts, Ottawa, Ontario.
1987         Galerie Christiane Chassay, Montréal, Québec.
1986         Blindfolds/Les yeux bandés, Axe-Néo 7, Hull, Québec.
                Art in Situ, Fire Hall #3, Ottawa, Ontario.
1981         Ideas in Progress, Gallery 101, Ottawa, Ontario.
                Monuments, Off Centre Center Gallery, Calgary, Alberta.

PUBLIC WORKS

1989 Fable VII, Headquarters for Regional Municipality of Ottawa-Carleton, Ottawa, Ontario.

GRANTS/AWARDS/SCHOLARSHIPS

2000         Learning development grant Concordia University ,
                CASA Travel grant Concordia University ,
1999         Canada Council, Ottawa, Ontario, B Grant.
                CASA Project Grant Concordia University ,
                Conseil des arts et des lettres du Qu`ecbec, project grant
1997         Canada Council, Ottawa, Ontario, B Grant.
                CASA Project Grant Concordia University ,
1995         Canada Council, Ottawa, Ontario, B Grant.
1994         CASA Travel Grant. Concordia University,
                Canada Council, Ottawa, Ontario, Short Term Grant.
1992         Canada Council, Ottawa, Ontario, B Grant.
                Ministère des affaires culturelles du Québec, Project Grant.
                Canada Council Project Grant.
                Concordia University, Social Sciences Humanities Research CouncilMontréal,
                Ministère des affaires culturelles du Québec, Travel Grant.
                Concordia University, Social Sciences Humanities Research Council, Montréal Québec,
                Travel Grant (Poland and Germany).
                Canada Council, Ottawa, Ontario, Project Grant.
1988         The Banff Centre for the Arts, Banff, Alberta, Art Studio, Tevie and Arliss Miller Scholarship (Border Cultures Residency).
                Concordia University. Social Sciences Humanities Research Council,
                Montréal, Québec, Travel) Grant (Banff: The Banff Centre for the
                Arts, Border Cultures Residency).
                Canada Councill, Ottawa, Ontario, Project Grant.
                Canada Councill, Ottawa, Ontario, Travel and Project Grant.
1987         Canada Councill, Ottawa, Ontario, B Grant.
1986         Canada Councill, Ottawa, Ontario, B Grant.
1985         Ontario Arts Council, Toronto, Ontario, Writers and Critics Grant.
1982         Ontario Arts Council, Toronto, Ontario, Short Term Project Grant.

COLLECTIONS

-Musée d' art contemporain de Montréal, Montréal, Québec.
-City of Ottawa, Ottawa, Ontario.
-Regional Municipality of Ottawa Carleton, Ottawa, Ontario.
-Concordia Art Gallery, Montréal, Québec.
-Prêt des oeuvres d'art, Musée du Québec, Québec, Québec.
-Banff Centre Library Collection, Banff, Alberta.
-Centrum Sztuki Wspolczesnej, Warsaw, Poland.
-Private Collections in Canada, USA, Poland, Germany and Italy.

VIDEO BIBLIOGRAPHY

WONG, Paul, ‘South Africa and Johannesburg Biennale.’ Color NTSC VHS 22 mins. Produced by Paul Wong/Cultural Baggage and Walter Philips Gallery. 1997

BIBLIOGRAPHY

Exhibition catalogue:

BUSTO, Andrea. ‘Microstorie: creazioni della memoria,’ Creatzioni della Memoria, (trans French and English)
Ars Nova Edizioni, Turin, Italy. p 11-15
FANELLI, Franco. ‘Trevor Gould, Il colono colonizzato,’ Creatzioni della
Memoria, (trans French and English) Ars Nova Edizioni, Turin, Italy. p 34-43
CONTI. Tiziana, ‘Percorsi, Frames: presenze nel territorio,’ Valle Cerrina ,Italy.1999
DROBNICK. Jim, ‘Confessions of a leaf thief’. Biennale de Montréal 98. np
GRANT MARCHAND, Sandra. ‘Trevor Gould, Poser pour le public,’ Série projet
23 Musée d’art contemporain de Montréal. 1998
ERMACORA, Beate, ‘The ornament and its places/ Positioning the ornament.’
in African English Pavilion, Jardin botanique de Johannesburg. Africus ‘95, Johannesburg Biennale. 1996, p 37-41.
CUMMINS, Louis. ‘Pour une critique des simulations installatives.’ in African
English Pavilion, Jardin botanique de Johannesburg. Africus ‘95, Johannesburg Biennale. 1996, p 11-24.
KYANDER, Pontus. ‘Nostos, Homecoming.’ in African English Pavilion, Jardin
botanique de Johannesburg. Africus ‘95, Johannesburg Biennale. 1996, p 5-8.
CONTI, Tiziana. ‘Trevor Gould: Intervista di Tiziana Conti. Turin, Italy.
Galerie The Box, 1996, n.p.
Leda e il Cignio Turin, Italy: Galerie Alberto Weber, 1996, 23 pages.
PARENT, Sylvie et al. Secousse : la photographie hors d'elle-même. Milan,
Italy: Galerie Gian Ferrari,1995 ‘African English Pavilion’ Jardin
botanique de Johannesburg. Montréal, Québec: Galerie Rochefort, 1995, n.p.
BÉLISLE, Josée. Dons 1989 - 1994. Montréal, Québec: Musée d'art
contemporain de Montréal, 1995, 72 pages.
AUGAITIS, Daina. ‘Across Other Portrayals.’ in Africus Johannesburg Biennale.
Johannesburg, South Africa: Greater Johannesburg Transitional
Metropolitan Council, 1995,126
DLUZNIEWSKICH, Andrzeja and Emilii DLUZNIEWSKICH. Piwna 20/26 1980 -1993.
Warsaw, Poland: Muzeum Akademii Sztuki Pieknych Warszawa, 1994, 260-261.
FRY, Philip et al. ‘Trevor Gould: Inventing a homeland’. Ottawa, Ontario:
The Gallery at Arts Court, 1993, 94 pages.
MATHUR, ‘Ashok. Book endS & Odd Books: Publications refuting conventional
form from the Banff Centre Library Collection’. Banff, Alberta: Walter Phillips Gallery, n.p.
POTOCKA, Maria Anna. Kolokcja Artystow (Artist's Collection) 1973-1993.
Krakow, Poland: Galeria Potocka, 1993, 49-50.
PAUL, Francine et al. ‘Cartographies Variables.’ Montréal, Québec: Galerie
de l'UQAM, 1993, 47 pages.
CUMMINGS, Louis. 'Notes coloniales sur le monument.' in FRY, Philip et al.
Trevor Gould: Inventing a Homeland. Ottawa, Ontario: The Gallery at Arts Court, 1993, 67-88.
HICKS, D. Emily. ‘Looking Awry.’ Lethbridge, Alberta: Southern Alberta Art Gallery,1993, n.p.
SELS, Clara Maria. ‘Kunst aus Québec/Canada’. Düsseldorf, Germany: Clara
Maria Sels Gallery,1992, n.p.
GOZDZIEWSK, Marek and Jaroslaw KOZLOWSKI. ‘Interview with Trevor Gould’.
Warsaw, Poland: Centrum Sztuki Wspolczesnej (Centre for contemporary art) (Zamek Ujazdowski ), (unpublished interview).
TAILLEFER, Hélène. 'Le continent noir du savoir.' in Articulations St.
Hyacinthe, Québec: Centre Expression,1991, 29-31.
GAGNIER, Richard. ‘En hommage à un cadeau d'Eva Hesse à Sol Lewitt’, Hull,
Québec: Axe-Néo 7,1991, n.p.
MAINPRIZE, Garry.’ Snakes in the Garden’. Ottawa, Ontario: The Council for
the Arts in Ottawa, 1988, np.
BRIDGE, Jean et al. ‘Art in Situ’. Ottawa, Ontario: Festival of the Arts,1985, 46 pages.
MONGRAIN, Claude. ‘Le dessin errant: The Ninth Dalhousie Drawing Exhibition’.
Halifax, Nova Scotia: Dalhousie University Art Gallery,1988.
Monument. Calgary, Alberta: Off Centre Center, 1981.

Magazine:

DESILETS, Martin. ‘L’ironie: conscience lucide et rempart contre le désenchantement,’ ETC,
Montréal, Québec p 6-10
KANE, Joann, ’La Sculpture comme mirroir’ Parachute (Montréal) 95
(June July August1999), 4-11.
COUELLE, Jennifer. ‘La 1ere Biennale de Montréal First Biennial,’
artpress (Paris) Novembre 98 pp 68 69
PROVENCHER, Louise. Trevor Gould: ‘Paysage en prose ou l’art de trafiquer
des passages,’ Espace 45 Automne/Fall 1998 p 37- 39.
HORN, Stephen. ‘Wild World’ Canadian Art Summer 1998 p 70
LAGUEUX, Olivier. Trevor Gould: Vue d’afrique, Vie des arts # 171 (Montréal) ÉTÉ 1998 p 70
DROBNICK, Jim. ‘Bill Burns, Trevor Gould, Mark Vatnsdal, The Life of Animals
living in the Shadow of the Twentieth Century: A collaborative Field
Guide and Moveable Exhibition,’ Parachute (Montréal) 90 (April, May, June 1998), 90.
KYANDER, Pontus. ‘Or Morkrets Hjarta’ Konstperspektiv 2.97 Nordens
storssta konsttidskrift, (Stockholm) 1997 30-31
PAROLA, Lisa. ‘Trevor Gould,’ Titolo: Rivista scientifica-culturele d’arte
contemporanea Primevera (1996) 52.
SPADA, Sabina. ‘Secousse’ Tema Celeste Italy (1995), 129.
NIGRA, Michele. ‘Torino in Mostra.’ Segno (Octobre 1995),15.
FAVERZANI, Luigi. ‘Trevor Gould: Conservatory.’ Terza Pacina 1995 n.p.
MOLIN VASSEUR, Annie. 'Blanc sur Blanc: De Causis et tractatibus.' ETC
Montréal 27 (August/November 1994), 45-50.
LÉVY, Bernard. ‘Variations sur Thème Cartographique.’ Vie des arts # 152
(Montréal) automne 1993, 20-22.
POTOCKA, Maria Anna. 'Trzy instalacje Trevora Goulda.' Obieg (Warsaw)6/7/8 (1992), 61-62.
SLEJSKOVIA, Nadia. 'Space Seen and Envoked/Invoked In Contemporary
Sculpture. L'exploration de l'espace dans la sculpture contemporaine.'
Espace Sculpture (Montréal) 19, (March, April, May1991), 37-40.
PRINGLE, Alan. 'Fee, Fie, Foe....' ETC Montréal 15 (August 1991), 39-40.
ELTON, Heather. 'Boarder Culture: Interview with Lorne Falk, Monique
Regimbald-Ziebert, Trevor Gould.' Artichoke (Calgary)1:2 (Winter/February1991), 30-33 .
FRY, Philip. 'Trois Jardins et la condition écologique.' Vie des Arts
(Montréal)141 (December 1990), 31-32.
BELL, Barry. 'City within a City: Ottawa Carleton Centre.' The Canadian
Architect (November 1990), 28-29.
DAULT, Gary Michael. 'Trevor Gould: Manifold with Monument.' C Magazine
(Toronto) 27 (September 1990), 24-27.
CUMMINS, Louis.'Trevor Gould.' Parachute (Montréal) 58 (April, May, June 1990), 38-39.
PRINGLE, Alan. 'Trevor Gould: La sculpture et sa muse.' Vie des Arts(Montréal) (1990).
TAILLEFER, Hélène. 'Trevor Gould.' Parachute (Montréal) 46 (April, May, June, 1988),119-120.
OLIVIER, Sylvie. 'Trevor Gould.' Parachute (Montréal) 53 (December 1988), 34-35.
POPE, Robert. 'Le Dessin Errant: The Ninth Dalhousie Drawing Exhibition.' Arts
Atlantic Magazine (Halifax) (Fall 1988),15.
PAYANT, René. 'Une orientation audacieuse.' Spirale (Montréal) (April 1987),.
FRY, Philip. 'Concerning The Wacousta Syndrome: More About What's
Canadian in Canadian Art.' Parachute (Montréal) 43 (June, July, August 1987), 49-53.
MILLER, Earl. Trevor Gould: Installation and Drawings. C Magazine (Toronto) 12 ( 1987), 70.
BLOUIN, René. 'Art in Situ' Canadian Art (Toronto) (Spring 1986).
MUSIOL, Marie-Jeanne. 'Art in Situ',Vanguard (Vancouver) (February, March 1986).Newspaper:
COUELLE, Jennifer, L’exposition D’un millenarire àl’autre presente un
parcours de sculptures dans plusieurs quartiers montrealaisLa Presse, Montréal août 2000,
MAVRIKAKIS, Nicolas. ‘Tour de Ville’ Voir 10 au 16 août 2000, 31
MCLEOD, Dayna. ‘Public Displays’ HOUR 08.17 to 08.23 2000, 29
LAMACHE, Bernard. ‘Balconville’ LE DEVOIR, 18 Août 2000, B8
COLLINS, Curtis. ‘Hunted Stag’ The New Brunswick Reader, April 22 2000, 26
CRONIN, Ray. ‘Gould’s exhibit feels like a literary work’ The Daily Gleaner Saturday, May 6 2000, B3
‘Beaver Brook exhibit reflects on museum meanings’ The Daily Gleaner April 18 2000,
‘Two Artists transform Beaverbrook Gallry’ The Daily Gleaner Monday April 17 2000, A11
GIUNIPERO, Mario. ‘Percorsi d’arte a Cerrina: Da domenica a Piancerreto
installazioni di arte ambientale’. Il Monferrato :Cultura. Anno CXXIX N. 39- Venerdi 21 Maggio 1999, 19.
BOUCHARD A. Gilbert. ‘Buds unfold, Flowers bloom and artists create at EAG
See Magazine Visual Arts April15-April21, 1999, 14.
OGURA Masashi. Montréal Biennale, Komei News Paper Tokyo Japan. 1998 np
BAILLARGEAN, Normand. ‘Permettez?’ LE DEVOIR, 31 Mars 1998
GRANT-MARCHAND, Sandra. ‘Trevor Gould:Projet Series.’ LE JOURNAL, Musée
d’art contempoaine de Montréal. vol. 8 No. 3 February, March and April 1998.
BLACK Barbara. ‘Africa revisited through post-colonial eyes’. Concordia’s
Thursday Report Vol. 22 No. 10 February 19, 1998, 1 and 11.
AQUIN, Stephane. ‘Des Formes et des couleurs: Trevor Gould/ Pierre
Blanchette. Voir 9-25 Fevriér 1998, 55.
LEHMAN, Henry. ‘Where is the beauty and who is the beast?’ The Gazette.
Visual Arts, Saturday, February 21, 1998, J6
BAILLERGEON Stéphane, ‘La planéte des hommes-singes.’ LE DEVOIR - Á Voir 13 February 1998, B 12
SARTORIO, di Anna. ‘Se ti assale una giungla di cartone.’ La Republica
(giovedi 15 giugno 1995) VII
COLTRAINE, Claudia. ‘Artist Trevor Gould’s odyssey to a new interior.’ The
Star -Lifestyle , looking NORTH (Johannesburg, South Africa), 10 April
1996, 10.‘Artist Trevor Gould’s odyssey to a new interior.’ The Star -Lifestyle
looking EAST (Johannesburg, South Africa), 3 April 1996, 8.
KYANDER, Pontus. 'Sydafrica - nu en del av konstvärlden Biennal i
Johannesburg största kultursatsningen efter apartheids fall.' Västerbottens-Kuriren (Umea, Sweden), 5 april, 1995, k3.
 ‘Forste kunstbiennalen i Johannesburg: Uro og hap i konfliktfylt Sor-Africa.’ Morgenbladet 21 (Oslo, Norway), 26 april 1995, 10-11.
'Kunsten efter apartheid.' Morgenposten (Odense, Denmark), Fyens Stifstigende 2 section. Lordag15 april 1995, 6.
‘Sydafrika - nu en del av konstvärlden.’ Västerbottons-Kuriren (Umea, Sweden), onsdag 5 april 1995, 3.
'Dumdristigt men hoppingivande: Rapport fran den första konstbiennalen i Sydafrika.' Sydvenske Dagbladt Malmòe, (Sweden).
Sydsvenskan Tisdagen den 18 april 1995, A-4.
 'The Johannesburg Biennale '95.'Supplement to the Weekly Mail and
Guardian (Johannesburg), March 3 to 9 1995, 7.
HAKIM, Mona. ‘Des territoires parallèles et méconnus: Deux expositions
retracent certaines influences cachées sur l’évolution de l’art au Québec.’ Le Devoir (Montréal), 11 Juilliet 1993, B-15.
PIKON, Katarzyna. 'Pomiedzy realnoscia a metafora.' Gazeta Wyborcza (Krakow, Poland), 21, 1992 .
GRAVEL, Claire. 'Le potlatch et les sculpteurs.' Le Devoir (Montréal), 27 October 1990, C-10.
BARNARD, Elissa. 'Drawings that leave a mark.' The Mail (Montreal),17 February 1988 .
BEALE, Nancy. 'Intellectual Play.' The Ottawa Citizen, 16 March 1989 .
'African Born Artist Becomes Cooler.' The Ottawa Citizen. 1988.
'Arts festival puts on best show ever.' The Ottawa Citizen, 17 September 1988.
DUMONT, Jean. 'L'art au quotidien.' La Presse (Montréal), 4 June 1988.
 ‘Des questions plus importantes que les réponses.: Trevor Gould, Monique Régimbald Zeiber, dix artistes.la terre.’ La Presse ( Montréal) 1988, K-6.
BÉLANGER, Judith. 'Le Dessin Errant: Traits d'esprits.' Voir (Montréal) 25 August 1988.
DELAGRAVE, Marie. 'Le dessin actuel, source de remarquables errances.' Le
Soleil (Québec), December 1988, E-16.
GRAVEL, Claire. 'Cinq galeries: des morceaux de chaos, des lièvres, un ours,
d'une o-kitch et des anges de pierre.' Le Devoir (Montréal),17
Septembre 1988.'Quelques errances contemporaines.' Le Devoir (Montréal) 4 June
1988, C-10. Le Devoir (Montréal), December 1988, C-8.
LEHMANN, Henry. 'Sketches of Inspiration.' Montreal Daily News, June 1988, 29.
REINBLATT, Melanie. 'Sketchy Question.' Mirror (Montreal), May 1988,13-26
LEPAGE, Jocelyne. 'Signes de pistes rue Saint-Laurent.' La Presse, Montréal. 27 November 1986.
DAIGNEAULT, Gilles. Le Devoir (Montréal), 15 November 1986.
KAHOUT, Tim M. ‘Old fire station new art gallery.’ Fulcrum (Ottawa) 7 November 1985, 15.
CORMIER Pierre-Paul. 'Le Festival des arts et Art in Situ.' Le Droit (Ottawa)
Samedi 2 November 1985, 31.
BEALE, Nancy. 'Ottawa Artists set works 'in situ' in Old Firehall for Festival of
Arts.' The Ottawa Citizen. October 251985, F -7.
 'Gould's violent art shows power abuses. The Ottawa Citizen, 2 October 1984, D-27.

PUBLISHED WRITINGS

Artists book/project

MONTRÈAL ZOO: de MONTRÈAL Illustrated Field Guide to Animal Habitats in Montreal.
One of Three Volume with. Bill Burns, Trevor Gould, Mark Vatnsdal. Optica, (Montréal) Québec. 1997.
Eye-embrace. Collaborative bookwork with Corrine Corry, essay: Gail Bourgeois. Loose
leaf folio of 13 photocopy prints of watercolors and digital images with text. Edition of three.1994.
African English.' Harbour: Magazine of Art and Everyday Life (Montréal) Québec. 2:2 (Winter 1993), 43-46.
African English: God the Monkey and the People. Galerie Potocka, (Krakow ) Poland 1992. Signed edition of100.

Catalogues and essays

GOULD, Trevor. ‘Le Monde dans notre ville Le Travail de l’art’- No 3. Paris,
[Hiver 1988-1999], pp 42-51
'Spaces, Places and Boundaries: Transgressive Invasions.' Parachute
(Montréal) 80 (Fall 1995), 13-15.
Zagrozone Przestrzenie, Miejsca i Granice Sygnatury
Naturainego Swiata. TUMULT 11 Przeglad Ideo-Graficzny ( Kracow) Poland , nd 45-46.
'Jaroslaw Kozlowski: An Interview.' Harbour: Magazine of Art
and Everyday Life (Montréal), 2:2 1993, 50-54.
'Maria Magadalena Campos Pons.' Boston, Massachussetts:
Institute of Contemporary Art,1992, n.p
 'It is difficult to arrange an earthquake: Interview with Thomas Schütte.'Parachute (Montréal) 68 1992,38-41.
'In-between Shades.' in Roland Poulin Essen, Germany:
Folkwangmuseum, 1992, 10-21.
'Point Blank.' in Jocelyne Alloucherie, Montréal, Québec: Centre
International d'art contemporain,1992, n.p.
‘Hanna Luczak,’ Montréal, Québec: Optica Gallery,1991, n.p.
'Point Blank.' in Jocelyne Alloucherie, Articulations St. Hyacinthe,
Québec: Galerie Expression 1991, 33-36.
‘Claude Van Lingen: Paintings,’ Vera Englehorn Gallery, New York 1991, n.p.
'Orte und Schatten.' German translation of catalogue essay on
Wolfgang Luy (translator unknown). hfg forum 1410 (Offenbach am
Main) Hochschule für Gestaltung, Jahrgang, November 1989, 11.
'Ludger Gerdes.' Beaux Arts Magazine (Paris) 63 (1989), 90-91.
'Sites and Shadows.' in Wolfgang Luy. Montreal, Québec: Galerie
Christiane Chassay,1988; np.
With an Ear to the Ground.' Recent works of Andrew Dutkewych.
Revised text from Galerie Christianne Chassay, Art Gallery of Hamilton Hamilton, Ontario; . 1989; 5-10.
"Unusual Alliances.' Montréal, Québec: Galerie Christiane Chassay,
1988; n.p (On Michel Goulet)
‘With an Ear to the Ground.' in Andrew Dutkewych. Montréal,
Québec: Galerie Christiane Chassay,1988, n.p.
‘Ludger Gerdes: An Interview.'Parachute (Montréal) 47 (1987),11-15.
'Mowry Baden: A Question of Context.' Vanguard (Vancouver)16:2 (1987), 23-32.
'Building Sculpture: The Work of Michel Goulet.' Vanguard
(Vancouver)15:1 (1986), 27-30.
'Validating the Object: Recent works by Roland Brener.' C Magazine (Toronto) 9 (1986), 68-72.
'Object and Image: Some remarks on the work of Jean-Luc
Vilmouth.' Parachute (Montréal) 38 1985, 4-9.
Exhibition Reviews
GOULD, Trevor. 'Between Views and Points of View.' Parachute (Montréal) 66
(1992), 45-46.
'Soviet Conceptual Art in the Era of Late Communism.' Parachute
(Montréal) 62 ( 1991), 39-40.
'Jocelyne Alloucherie.' Parachute (Montréal) 58 (1990), 43-44.
'Bi-National: American and German Art of the late Eighties.' Parachute
(Montréal) 55 (1989), 42-43.
'Gilles Mihalcean.' Vanguard (Vancouver)17:1 (1988), 32.
'Pierre Granche.' Vanguard (Vancouver)16:6 (1987/1988), 35.
'Claude Mongrain.' C Magazine (Toronto)14 (1987), 65-66.
'Eva Brandl.' C Magazine (Toronto) 13 (1987).
'Robert McNealy.' C Magazine (Toronto)12 (1987), 73-74.
'Six Projects for Surrey.' Vanguard (Vancouver)16:1 (1987), 40.
'Sylvain Cousineau.' Vanguard (Vancouver)14:8 (1984-1985), 35.
'Roland Brener, Bill Woodrow.' Parachute (Montréal) 35 (1983), 38.
'Tom Sherman.' Parachute ( Montréal) 32 (1983), 37-38.
'The Long Way Round: Richard Long.' Parachute (Montréal) 30
(1982), 59.
'Clarissa Inglis.' Parachute (Montréal) 27 (1981), 45-46.
'Books By Artists.' Parachute (Montréal) 25 (1981), 29.
BOOK ILLUSTRATIONS
Book cover for André Roy, VIES: LES HERBES ROUGES/POÉSIE. Éditions le Herbes Rouge Montréal 1998.

CONFERENCES/LECTURES

-Artist talk, Beaverbrook Art Gallery, Fredricton1999
-Colloque, What is the Place of Sculpture today? organized by Espace, Montréal,1999
-Slide lecture, Emily Carr Institute for Art and Design 1999
-Artist talk, Edmonton Art Gallery, 1999
-Slide lecture, Canada House London, Enagland1999
-Artist talk, Musée d’art contemporaine 1998
-Slide lecture, Space Places and Boundaries: Signatures of the Natural World,
University of Regina, Regina Saskatchewan 1996.
-Round Table, Language Race and Culture, University of Regina, Regina
Saskatchewan 1996.
-Studio visits, graduates and undergraduates, University of Regina, Regina Saskatchewan 1996.
-Slide lecture on my work, University of Witwartersrand, Johannesburg
South Africa 1994.
-Art Studio Consultant to The Banff Centre for the Arts, for the residency "Living at the End of Nation States" 1994.
-Slide lecture, graduate seminar. Universitée Laval, Québec 1994.
-Slide lecture, undergraduate. Universitée Laval, Québec 1994.
-Presentation of paper ' Spaces, Places and Boundaries: Signatures of the natural World' to Fellows seminar, Simone de Beauvoir Institute,
Montréal Québec 1994.
-Presentation of paper ' Spaces, Places and Boundaries: Signatures of the natural World' PARACHUTE conference, Le Bestier/Endangered Species,
Musée d’art contemporaine de Montréal 1993.
-Public slide lecture, Galleria Potochka, Krakow, Poland 1992.
-Slide Lecture, Dawson College, Montreal 1991.
-Slide lecture,State Academy of Fine Arts, Poznan, Poland 1990.
-Slide lecture, BWA Gallery, Zielona Gora, Poland 1990.
-"Disjointed Narratives: Sculpture in Montreal. "State Academy of Fine Art, Poznan, Poland 1989.
-"Disjointed Narratives: Sculpture in Montreal." Hochschule Fur Gestaltung, Offenbach am Main, Germany 1989.
-Slide lecture, Dalhousie Art Gallery, Halifax, Nova Scotia. March 1988.
-Visiting Artist, Nova Scotia College of Art and Design Halifax, Nova Scotia. March 1988.
-"Object and Image in Canadian Sculpture." Sculpture Symposium. Network of Sculptors National Gallery of Canada. Ottawa, Ontario 1987.
-"Siting the Object: The Question of the Object’s Domain." Installation Art of the 80's, Panel, University Art Association Conference, Victoria,
British Columbia 1987.
-‘Building Sculpture: The work of Michel Goulet,’ University of Victoria, Victoria, British Columbia 1986.

CRITICAL MENTION

Citation of MA Thesis in, Linda MacNay, ‘The Disrupted Body’.
Hicks, D Emily. "Boarder Writing: The Multidimensional Text." Theory and History of Literature Vol. 80. (University of Minnesota Press: Minneapolis and Oxford) 1991. p ix
Writings listed in "Art Bibliographies Modern." Clio Press.

MEDIA APPEARANCE

Gennette Kelly, Interview on CBC Art’s Bill Board, July 2000.
ATV (Atlantic Television) April 14, 2000 "The Scene" with Todd Battis.

EDUCATION

1997— Ph.D. Humanities; Interdisciplinary Studies in Culture and Society, Concordia University Montréal
1987 M.A. Institute of Canadian Studies, Carleton University, Ottawa, and Ontario. Thesis: Standing on the Corner: Issues in Contemporary Canadian Sculpture. 170 pages
1976 - 1979 Bachelor of Arts University of South Africa, Pretoria, South Africa, Major:
Psychology, Sociology.
1971 - 1974 Fine Art Teachers Diploma (National Art Teachers Diploma)
Major: Sculpture, Johannesburg College of Art, Johannesburg,
South Africa.