The Canadian Art Database
 

   
Stephen Hogbin

s.hogbin@bmts.com

www.makersgallery.com/hogbin/

EDUCATION

1957-58   Studied Rycotewood College
1961        Kingston College of Art, N.D.D.
1965        Royal College of Art, Des R.C.A.
1966        Travel Scholarship to Switzerland

SOLO EXHIBITIONS

1972        The Craft Gallery, Toronto, ON.
1974        Aggregation Gallery, Toronto, ON.
1974        Algonquin College, Ottawa/Artists with their Work Program (AWTW)
1974        Centennial Museum, Atikokan, ON. AWTW
1974        vGlendon College, York University, Toronto, ON. AWTW.
1975        Whitby Arts Station Gallery, Whitby, ON.AWTW.
1975        Melbourne State College, Melbourne, Australia.
1976        Australia Design Centre, Melbourne, Australia.
1977        Art Gallery of Brant, Brantford, ON.AWTW.
1977        Parnham House, Dorset, UK.
1978        Aggregation Gallery, Toronto, ON.
1979-80   Contact, Art Gallery of Ontario, at various locations.
1979-81   Craft Packing, Ontario Crafts Council, at various locations.
1983        National Exhibition Centre, Thunder Bay, ON. AWTW.
1983        Koffler Gallery, Willowdale, ON.
1984        The Gallery of the Ontario Crafts Council, Toronto, ON.
1986        The Durham Art Gallery, ON.
1987        Sets for a performance of 3Alice in Wonderland2, Studio Dance, Owen Sound, ON.
1988        Sets for a performance of 3Alice in Wonderland2, Studio Dance, Art Gallery of Ontario.
1989        Tom Thomson Memorial Art Gallery, Ontario, Traveling Exhibition:
               Macdonald Stewart Art Centre, Lynwood Arts Centre, Oakville Galleries,
               Centennial The Gallery / Stratford.
1990        John B. Aird Gallery, Toronto, ON.
1991        Burlington Cultural Centre, Burlington, ON.
1991        McMaster Gallery, McMaster University, Hamilton, ON.
1992        Ginger Press Bookstore, Owen Sound, ON.
1993        Intersections, W.K.P. Kennedy Gallery, North Bay, ON.
1993        We all drink the Water, Recreation Complex, Markdale, ON.
1995        MarketSide food shop and cafe.
1994-97   Regular Studio, Open House.
1998        Four Memories, Durham Art Gallery, ON.
1999        The Play of Space Time and Materials, Gippsland Art Gallery-Sale, Australia.
2001        Rails End Gallery, Toronto, ON.
2002        Parrellel Finishing Room, Australian National University, Australia.
2002        Fragmented Tables, Southhampton Art Gallery, ON.

GROUP EXHIBITIONS

1969        Sheridan Faculty Ontario Crafts Foundation.
1970        Sensory Perceptions, Art Gallery of Ontario, Toronto.
1970        Kitchener-Waterloo Art Gallery, Kitchener, ON.
1970        Agnes Etherington Gallery, Kingston, ON.
1970        Art Gallery of Brant, Brant,ON.
1970        Sheridan Faculty Oakville Centennial Gallery, Oakville, ON.
1971        Make, Ontario Science Centre, Toronto, ON.
1972        Vessels, National Arts Centre, Ottawa, ON.
1972        M62, Ontario Institute for Studies in Education, Toronto, ON.
1972        Canadian Guild of Crafts, (special award) Crafts Annual Show, C.N.E., Toronto, ON.
1972        Canadian Expositions, Los Angeles Museum, California, U.S.A.
1973-78   Gallery Artists, Aggregation Gallery, Toronto, ON.
1973        Salon des Refuses, St. Lawrence Centre, Toronto, ON.
1973        Two-man Show, Art Gallery of Ontario (Sheridan Mall) Pickering, ON.
1974        Sheridan Faculty, Merton Gallery, Toronto, ON.
1974        Wood, London Art Gallery, London, ON.
1975        Language of Wood, Birchfield Centre, State University, Buffalo, NY, U.S.A.
1975        Chairs, Art Gallery of Ontario, Toronto.
1976        Invitational Show, Grand Opening, The Craft Gallery, Toronto, ON.
1976        Group Show, North York Public Library, Toronto, ON.
1976        Group Show, Agnes Etherington Art Centre, Kingston, ON.
1977        Articipaction, First Canadian Place, Toronto, ON.
1977        Selecting & Collecting, Harbourfront Art Gallery, Toronto, ON.
1977        Wood Watchers, Prescote Gallery, Banbury, United Kingdom.
1977        Rehearsal, Harbourfront Art Gallery, Toronto, ON.
1978        Three-man Show Int. Sculpture Conference, York University, Toronto, ON.
1978        Aspects of Sculpture, Aggregation Gallery, Toronto, ON.
1979        Sculpture in Wood, Trent University, Peterborough, ON.
1979        Wood, Ontario Science Centre, Toronto, ON.
1980        Group Show, National Theatre, London, United Kingdom.
1980        Group Show, Parnham House, Dorset, United Kingdom.
1980        Contemporary Furniture, Louisville Art Gallery, Louisville, U.S.A
1980-81   Annual Juried Shows, Tom Thomson Memorial Gallery, Owen Sound, ON. (awards)
1981        Taction Reach Out, The Craft Gallery, Toronto, ON.
1981        Turned Objects Richard Kagan Gallery, Philadelphia, U.S.A
1981        Turned Objects, Netsky Gallery, Miami, U.S.A
1981        Big Stuff, Tom Thomson Memorial Gallery, Owen Sound, ON.
1982        Recent Art Furniture, Buscaglia-Castellani Gallery, Niagara Falls, U.S.A
1982        Turned Objects, Greenfield County Museum of Art, U.S.A.
1982        Big Stuff, Tom Thomson Memorial Gallery, Owen Sound, ON.
1982        Wood Forms, Tom Thomson Memorial Gallery, Owen Sound, ON.
1982        Wood Forms, Durham Art Gallery, Durham, ON.
1982        Wood Forms, Southampton Museum, Southampton, ON.
1983        Turned Objects, Kipp Gallery, Indiana State University, U.S.A
1983        Art of Woodturning: American Craft Museum, New York City, U.S.A
1983        Making Waves, Ontario Crafts Council Exhibition (3 awards), Tom Thomson Memorial Gallery,
               Owen Sound, ON.
1983        Making Waves, Durham Art Gallery, Toronto, ON. (3 awards)
1983        Ontario Crafts, The Craft Gallery, Toronto, ON. (3 awards)
1983        Ontario Crafts, Holland College, P.E.I.
1983        Beyond the Bowl, Cartwright St. Gallery, Vancouver, B.C.
1984        Images from the Land, Makers, Owen Sound, ON.
1984        Recent Additions, Tom Thomson Memorial Gallery, Owen Sound, ON.
1984        Baskets, 6 locations incl.: Makers, Owen Sound,ON. The Lindsay Gallery, Lindsay, ON.
               The Station Gallery, Whitby, ON.
1984        The Wood Show, Durham Art Gallery, Durham, ON.
1984        Healing Images, Owen Sound Public Library, Owen Sound, ON.
1984-85   Chalmers Bi-Centennial Collection, at 7 locations incl: Art Gallery of Algoma, Sault Ste. Marie, ON
               Tom Thomson Memorial Gallery, Owen Sound, ON.
1985        Portfolio 852, Tom Thomson Memorial Gallery, Owen Sound, ON.
1985        Rough Wood, Parnham House, Dorset, UK.
1985        American Turned Bowls, Arizona State University, U.S.A.
1985        Drawings, Georgian College, Barrie, ON.
1986        Sound Art, A Billboard in Owen Sound, Core Artists.
1986        Icons, Georgian College, Barrie, ON.
1986        Permanent Collection: Tom Thomson Memorial Gallery, Owen Sound, ON.
1986        Turned Wood Bowls, National Museum of American Art-Renwick Gallery, Washington, DC, U.S.A.
1987        Masters of Turned Wood, The Elements Gallery, Greenwich, U.S.A.
1987        Opening New Gallery, Royal Canadian Academy of Arts, Toronto, ON.
1988        International Turned Object Show: (ITOS)Port of History Museum, Philadelphia, U.S.A.
1988        Art Under Fire, Royal Canadian Academy of Arts, Toronto, ON.
1988        Selections: Wood Turning Centre2, Hicks Art Center, Newtown, Pennsylvania, U.S.A.
1989        ITOS: Art Museum of S. Texas, Corpus Christi, Texas, U.S.A.
1989        N. Carolina State University, Raleigh, NC, U.S.A.
1989        Delaware Art Museum, Wilmington, Delaware, U.S.A.
1989        Folk Art Center, Asheville, North Carolina, U.S.A.
1989        The Alternatives, Royal Canadian Academy of Arts, Toronto, ON.
1989        Political Landscapes #12, Tom Thomson Memorial Art Gallery, Owen Sound, ON.
1989        Royal Canadian Academy of Arts, Toronto, ON.
1989        The Art at Skydome: Maqettes and Drawings, Stage One2, Toronto, ON.
1989        Inovations in Wood, The Society for Art in Crafts, Pittsburgh, Pennsylvania, U.S.A.
1989        The Edward Jacobson Collection: Cooper-Hewitt Museum,
               Smithsonian Institute's National Museum, Washington, D.C. U.S.A.
1990        ITOS Anchorage Museum of History and Art, Anchorage, Arkansas, U.S.A.
1990        Lexington Civic Center, Lexington, Kentucky, U.S.A.
1990        Arkansas Art Center, Little Rock, AR, U.S.A.
1990        Iowa State University, Ames, Iowa, U.S.A.
1990        Regionalism in Canadian Art, Tom Thomson Memorial Art Gallery, Owen Sound, ON.
1990        Edward Jacobsen Collection, Arizona State University Art Museum, Tempe, Arizona, U.S.A.
1990        Contemporary Masters, West Los Angeles Gallery, Brentwood, California, U.S.A.
1990        ITOS IV: Port of History Museum, Philadelphia, U.S.A.
1990        Arizona State University Art Museum, Arizona, U.S.A.
1990        Craft and Folk Art Museum, Los Angeles, California, U.S.A.
1991        Modular Investigation and Geometric Collection2, Sutton Centennnial Branch,
               Georgian Public Libraries, ON.
1991        Red Black White, Tom Thomson Memorial Art Gallery, Owen Sound, ON.
1991        Political Landscapes #Two, Tom Thomson Memorial Art Gallery, Owen Sound, ON.
1991        Ojibwa Cultural Foundation, Manitoulin Island.
1991        Unity of Hand and Spirit: Craft Gallery, Toronto; Pointe Claire, QC. and Owen Sound, ON.
1992        Considering Space: Joseph B Carrier Art Gallery, North York, ON.
1992        Woodturning as a Fine Art: University Museum, Indiana PA, U.S.A.
1992        The Irving Lipton Collection: Society for Arts and Crafts, Pittsburgh, PA, U.S.A.
               Erie Art Museum, Erie PA, USA; and Cambria County Arts Center, Johnstown, PA, U.S.A.
1992        Lathe-turned Objects, Josephine Muller Gallery, Jenkintown, PA, U.S.A.
1992        Escarpments, Tom Thomson Memorial Art Gallery, Owen Sound, ON.
1993        Foreningen Gotlandska Konstnarer, Gotland, Sweden.
1992        Surfaces, Metro Convention Centre, IIDEX, Toronto, ON.
1993        Surfaces, York Quay Gallery, Harbourfront, Toronto, ON.
1993        Conservation by Design, Museum of Art, Rhode Island School of Design, U.S.A.
1995        World Forestry Center, Seattle, Washington, U.S.A.
1995        Tuscon Museum of Art, Tuscon, Arizona, U.S.A.
1995        Renwick Gallery, Washington, U.S.A.
1993        Natural Dialogue, California Craft Museum, San Francisco, U.S.A.
1994        Lathe-turned Objects, Berman Museum of Art, Ursinus College, Pennsylvania, U.S.A.
1994        Challenge V, California Crafts Museum, San Fransico, California, ON.
1994        Fine Arts Museum of the South at Mobile, Mobile, Alabama, U.S.A.
1995        Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin, U.S.A.
1995        Dane G. Hansen Memorial Museum, Lagan, Kansas, U.S.A.
1995        Huntsville Musem of Art, Huntsville, Alabama, U.S.A.
1995        Philharmonic Center for the Arts, Naples, Florida, U.S.A.
1996        Knoxville Museum of Art, Knoxville, Tennessee, U.S.A.
1996        Arkansas Art Center, Little Rock, Arkansas, U.S.A.
1996        Paine Art Center & Arboretum, Oshkosh, Wisconsin, U.S.A.
1996        Ella Sharp Museum, Jackson, Michigan, U.S.A.
1995        The Terminal Project, Artwork, Collingwood, ON.
1995-96   Conservation by Design, World Forestry Center, Portland, Oregan, U.S.A.
1995-96   Illinois State Museum, Springfield, Illinois, U.S.A.
1995-96   Tucson Museum of Art, Tucson, Arizona, U.S.A.
1995-96   Santa Fe Community College, Santa Fe, New Mexico, U.S.A.
1995-96   Renwick Gallery on the Smithsonian, Washigton, D.C. U.S.A.
1995-96   Pittsburgh Cultural Trust, Pittsburgh, Pennsylvania, U.S.A.
1973        The internet Show2, http:www.woodartist.com to December 31
1998        Regular exhibitor. del Mano Gallery, Los Angeles, U..SA.
1998        Academy Cards, Edward Day Gallery, Toronto, ON.
1999        Turned Wood, del Mano Gallery, Los Angeles, California, U.S.A.
1999        Opening: Mint Museum of Art, Charlotte, WC, U.S.A.
1999        Lipton Collection, Worlds Forestry Center, Portland, Oregon, U.S.A.
1999        Opening Doors, Variuos studios with Ontario Crafts Council, Toronto, ON
1999        Turned Wood, del Mano Gallery, Los Angeles, California, U.S.A.
1999        Forest Expressions, World Forestry Center, Portland, Oregon, U.S.A.
1999        Regular exhibitor. del Mano Gallery, Los Angeles, U.S.A.
1999-03   Traces of Land Traces of People 2, Lieutenant Govener's Suite, Queens Park, Toronto, ON.
               Royal Canadian Academy of Arts.
2000        Regular exhibitor. del Mano Gallery, Los Angeles, U.S.A.
2000        In Camera, Tom Thomson Memorial Art Gallery, Owen Sound, ON.
2000        Fragmentals: New Work 3, Prime Gallery, Toronto, ON. 12- 17 June.
2000        Turning on Furnishings, Edward Day Gallery, Toronto and Kingston, ON.
2000        Horizons 2000, Brookfield Craft Center, Brookfield Connecticut. U.S.A. June.
2000        Small Bowl Show, Two collaboration with Gary Knox Bennett and Glen Adamson, SK.
               Craft Council and The Wood Turning Center, Saskatoon, SK.
2000        Jane and Arthur Mason Collection Mint Museum of Craft and Design, Charlotte, U.S.A.
2000        Living with Form, The Horn Collection of Contemporary Crafts2 Arkansas Arts Center,
               Little Rock U.S.A. February.
2000        Arts 2000: Gallery Stratford with Royal Canadian Academy of Arts, Stratford, ON
2001        Looking Forward, Tom Thomson Memorial Art Gallery, February
2001        The Frederick Horsman Varley Art Gallery of Markham, ON. May.
2001        McMaster Museum of Art, Hamilton, ON. November.
2001        The Birthday Party, Brand Library and Art Center, Group exhibition March 2001, U.S.A.
2001        The Irvine Lipton Collection: New Hoffman Gallery, Los Angeles County Museum, U.S.A.
2001        North American Wood Turning since 1932, Minneapolis Institute of Arts, Oct 21 - Dec 30,
               Renwick Gallery, March 15 - July 21, 2002.
               Yale University Art Gallery, Sep 10 - Dec 1, 2002.
2002        Craftwest, Perth, Western Australia August.
2003        Tony Boase Tribute, Wood Gallery, Hay-on-Wye England May - June.
2003        Ronald Pile Gallery, Ely England June - July.
2003        Association of Woodturnes, Loughborough England August.
2003        American Studio Furniture, 1940-1990, Museum of Fine Art Boston, USA, November.
2003        Cabinet of Curiosities, Wood Turning Centre, Philadelphia, USA.
2003        Southern Alleghenies Museum of Art, Ligonier, Pennsylvania.
2003        Southern Alleghenies Museum of Art, Loretto, Pennsylvania.
2004        Housten Centre for Contemporary Craft, Houston, Texas.
2004        Fuller Museum of Art, Brockton, Massachusetts.
2004        Beneath the Bark; Twenty Five Years of Woodturning, Brigham young University Museum of Art, Utah.
2004        Cabinet of Curiosities, Leigh Yawkey Woodson Art Museum, Wausau, Winconsin.
2004        Manifesta, Stratford Gallery, Stratford, Ontario.
2005        Turtle Bay Exploration Park, Redding, CA, USA.
2005        Anchorage Museum of History and Art, Anchorage, Alaska.
2006        Erie Art Museum, Erie, Pennsylvania.

CURATING

1969        The Egg as an Ornament 2, Ontario Crafts Foundation Gallery.
1970        Box of Tactile Objects, Dot Magazine with Sheila Lamb and Sensory Perceptions
               with Anita Arrons, traveling exhibition Art Gallery of Ontario.
1979        Patterns of Growth, Ontario Crafts Council Gallery, with Douglas Oliver.
1981        Wood Forms, Tom Thomson Memorial Art Gallery, with Judy Thomson, traveled.
1986        Black and White, Saskatchewan Crafts Council.
1987        The Painted Room, Tom Thomson Memorial Art Gallery.
1989        Political Landscapes #12, Tom Thomson Memorial Art Gallery, Royal Canadian Academy of Arts
               with Core Artists.
1989        Patterns, Art Gallery of Nova Scotia and Nova Scotia Designer Crafts Council, (5 Curators), traveling exhibition.
1991        Political Landscapes # Two: Sacred and Secular Sites, Tom Thomson Memorial Art Gallery
               and Ojibwa Cultural Foundation with Blake Debassige.
1992        Progress of Walking, The Body in Public Art, Tom Thomson Memorial Art Gallery and
               The Canadian Centre of the Arts at Owen Sound.
1996        Rex Lingwood: Boxes and Bowls, An Essay for exhibition, catalogue, Deutshe Ledermuseum, Germany.
1997        Curators Focus: Turning In Context, Concept Development Wood turning Center,
               Philadelphia, Pennsylvania, U.S.A.
1998        Wood: An Aesthetic and Social Ecology, Tom Thomson Memorial Art Gallery, Owen Sound.

LECTURES AND WORKSHOPS

Algonquin College.
Anderson Ranch of the Arts, U.S.A.
Art Gallery of Brant.
Arrowmont School of Arts & Crafts, U.S.A.
Association of Cultural Executives, Canada.
Boston University, U.S.A.
Brigham Young University, U.S.A.
Brookfield Craft Centre, U.S.A.
California College of Art, U.S.A.
California State University, U.S.A.
Canadian Centre of the Arts at Owen Sound, ON.
Forestech, Australia.
Georgian College.
H.B. Beal School.
Hagley Museum and Library, Wilmington, U.S.A.
Haliburton School of Fine Art, ON.
Halifax College of Art, N.S.
Haystack Mountain School of Crafts, Maine U.S.A.
Holland College, Canada.
Indiana University of Pennsylvania, U.S.A.
International Sculpture Center, Oakland, U.S.A.
John Makepeace School, UK.
London Art Gallery, ON.
Maryland Institute College of Art, U.S.A.
McMaster University.
Melbourne State College, Australia.
Mendell Art Gallery.
Mohawk College.
Monash University, Ausralia.
New Brunswick Craft School, NB.
Northern College.
Northern Michigan University, U.S.A.
National Exhibition Centre, Canada.
Ontario College of Art, Toronto, ON.
Ontario Crafts Council.
Philadelphia College of Art, U.S.A.
Rhode Island School of Design, U.S.A.
Royal College of Art, UK.
Sheridan College, ON.
State University of New York, U.S.A.
The Strong Museum, U.S.A.
Tom Thomson Memorial Art Gallery, ON.
University of British Columbia.
University o Toronto, ON.
West Sussex College of Art, UK.
Wendell Castle Workshop, U.S.A.
York University, ON.

SOCIETIES & ARTIST-RUN ORGANIZATIONS

1966-81   Society of Industrial Artists and Designers, London, England.
1970-74   Canadian Crafts Council.  1970 to present; Director.
1977-78   Ontario Crafts Council, 1969 to present, now a Life Member; Director.
1982-93   Canadian Artists Representation, 1980 to present Visual Arts Ontario.
2001        Royal Canadian Academy, in 1983 appointed; Director.
1987-93   International Sculpture Center, ON.
1986        Wood Turning Center, ON.
1983-86   Makers, Owen Sound, ON.
1985-89   Core Artists, Owen Sound, ON.
1994        Association for Alternative Art, Collingwood, ON.

JURIES & CONSULTING

Harbourfront, Toronto.
Ontario Arts Council,
Ontario Crafts Council.
Saskatchewan Crafts Council.
Sheridan College, Mississauga.
Tom Thomson Memorial Gallery.
Tom Thomson Memorial Gallery Exhibition Committee, 1983-85.
Craftsman1s Advisory Committee, Ontario Crafts Council.
The Crafts Report Editorial Advisory Board, 1986-87.
Food For Thought, Annotated Listing of Articles, Reader, 1986-87.
DIA and Main Street Program, Consultant, Art in Public Places, 1986-87.
DIA and Main Street Program, Mural Competition, 1987.
Nova Scotia Designer Crafts Council.
Contributing Editor, Forum.
Georgian College, Creative Arts, Advisory Committee 1985-7.
The Dairy Barn Southeastern Ohio Cultural Arts Center, Athens, Ohio, U.S.A. 1989.
Copeland Press, Editorial Board, 1990.
Wood Turning Center, Philadelphia, 1991.
Burlington Cultural Centre, Burligton, 1991.
Canadian Centre of the Arts at Owen Sound, Program Committee 1991.
Toronto Arts Award, Architecture and Design, 1991.
Task Force to Review Ontario College of Art, Toronto, 1991.
Medals Jury, Ontario College of Art, Toronto, 1992.
Ontario Arts Council, Review Committee, 1994.
Tom Thomson Memorial Art Gallery, Volenteer Committee, 1994 and 1997.
Ontario Arts Council, 1996.
Furniture Society proposal for Toronto Conference, 1998.
Program Advisory Committee, Sheridan College, 2000.

COMMISSIONS

1976        Untitled: Mountain Grey Gum, 68cm. x 68cm., Melbourne State College, Australia.
1977        Architectural Screen: Red Oak and stone, 176' x 7', Metropolitan Toronto Library, Toronto, ON.
1980        Binary Spirit: Poplar & Walnut, 11' x 18' x 3', MacDonald Block, Queen's Park, Toronto, ON.
1980        *Thunder Bay Sportsplex, Thunder Bay, ON.
1981        Calibrated Earth: Red Oak, 12' x 7' x 2', CIL Inc. Willowdale, ON.
1982        *Century Saskatoon, Saskatchewan.
1983        *Grey Bruce Regional Health Centre, Owen Sound, ON.
1984        *Pulp and Paper Research Institute of Canada, Vancouver, B.C.
1984        Play On Wood: stone, plants, 100' x 50' x 12', Summerfolk Music Festival, Owen Sound, ON.
1985        Intersections: Wood, plants, 45m x 42m x 3.6m, Cambridge Gallery, Cambridge, ON.
1985        Sandhouse Treehouse Birdhouse: Wood, steel, plants, earth, 109 m.x 53m.x 14m,
               Incite: Rudell, Saskatchewan.
1986        Intrusions: Paint, wood, plants, gravel, paving, 50' x 50' x 20', Owen Sound, ON.
1986        The Foyer Table: Wood & Paint, 12' x 7', Destination Inn, Owen Sound, ON.
1987        Material Perspectives: Wood, paint & mirror, 12' x 7', Constitution Square, Ottawa *SkyDome,
               Toronto *West Park Hospital, Toronto, ON.
1988        Circumnavigation: Wood, paint, rope, eggshells, coco shells, straw and tree,
               30' h x 45' l x 12' w, Tom Thomson Memorial Art Gallery, Owen Sound, ON.
1988        Finite and Infinite: Wood, paint, steel, sand, water, plants and paving, 3h x 42w x 20d metres,
               Owen Sound Municipal Non-Profit Housing.
1989        Force of Circumstance: Wood, stone, egg shells, concrete Private collection.
1989        Birdwell: Stone, brick, concrete, water, plastic, steel 420 x 300 x 100cm. Private collection.
1989        Equivalency: Wood/coal, corn/manure, plants/wood Private collection.
1991        *Ontario Forestry Research Institute, Government of Ontario.
1991        *Beth Sholom Synagogue, Toronto, ON.
1991        Definitions and Difference: 7 Boxes 20" x 12" various depths, wood. Contents mixed media.
               Canadian Craft Museum, Vancouver, B.C.
1992        *North Sculpture Garden, Kitchener City Hall, Kitchener, ON.
1992        *Northwest Territories Legislative Assembly Building, Yellowknife, North West Territories.
1992        Bicycle Bollards: City of Owen Sound, ON.
1992        Surfaces: Groundwater Undertow 2, Harbourfront Centre at Metro Convention Centre, Toronto.
               Floor - 16'x24' MDF painted; collaboration between 9 artists, Harbourfront Centre, Toronto.
1994        "Fifth Season Cyclist's Centre" Owen Sound, ON. Collaboration between 5 artists.
1995        Summerfolk Circle: Owen Sound, Ontario: Concept John Harrison and Stephen Hogbin.
1996        Conversations on an Island: Marvelle Koffler Breast Centre, Toronto, ON.
1997        Tree of Ideas: Jane Jacobs: Ideas that Matter, Toronto, ON.
1998        Dining Room: Yevonne and Robert Turbitt, Owen Sound, ON.
1999        Living Room and Stairs: Yevonne and Robert Turbitt, Owen Sound, ON.
1999        Spectrum of Community: OSCVI Owen Sound with twelve artists from Grey and Bruce County
2000        Breaking Quiet: Susan Gibson, Owen Sound. *Short Listed - Proposal Made.

SELECTED PROJECTS

1979        Gathering of Makers: A seminar for 30 makers from Ontario, Haliburton, ON.
               (member- organizing committee).
1981        Gathering of Makers: A seminar for 30 makers from Grey-Bruce counties
               (member- organizing committee).
1981        Makers: An artists co-operative in Owen Sound (associate member).
1982        Doing it all in the same place: A seminar for 10 couples. Owen Sound, ON.
               (member - organizing committee).
1982        Art in Owen Sound: A proposal to CAUSE study team for the inclusion of art in a downtown development.
1983        Future of Crafts: Stanley House Conference, Canadian Crafts Council.
1983        Future Waves: A conference for the southwest region of the Ontario Crafts Council.
1986        Sound Art: Billboard Art in Owen Sound, Core Artists.
1987        Futures: Canadian Crafts Council, Ottawa, ON.
1987        What Future the Creative Triangle: Tom Thomson Gallery.
1990        On the Land; Essays and Images Art Director for Ginger Press Inc.
1999        Furniture 2000: Old and New Communities.

AWARDS

Royal College of Art
Tom Thomson Memorial Art Gallery
Ontario Crafts Council
Ontario Arts Council
Canada Council

PROFESSIONAL EXPERIENCE

1968-72   Instructor Sheridan College School of Design.
1973        Sheridan College/Creative Arts.
1972        Toronto Board of Education, Visiting Artist.
1973-83   Art Gallery of Ontario, Artists with their Work Program.
1971-72   University of Toronto, College of Education.
1978-80   Sheridan College School of Crafts and Design, Toronto, ON.
1980-82   Georgian College, Design and Visual Arts, Owen Sound, ON.
1985-87   Georgian College, Design and Visual Arts, Barrie, ON.
1975-76   Artist in Residence Melbourne State College, Australia.
1996        Haystack Mountain School of Crafts.
1999        Forestech, East Gippsland Institute of TAFE.
2002        Australian National University.
2002        University of the Arts, Philadelphia.

BIBLIOGRAPHY
Note: an asterisk (*) following an entry indicates an exhibition catalogue.

Stephen Hogbin, Sacred Cows & Puddling Around, Craft Dimensions, Dec/Jan 1974.
Kay Kritzwiser, Probing the Craftsman's Place in Art, Globe & Mail, June 8  1974.
Donald Lloyd McKinley, Wood-turned forms of S. Hogbin, Craft Horizons, April 1974.
Margaret Hogan, A Non-player in the Art Game, Globe & Mail, June 29, 1974.
Una Abrahamson, Crafts Canada, published by Clarke-Irwin, Toronto, 1974.
April Hersey, The New Way, Craft Australia, Vol 5/2, Aug 1975.
Turn Your Mind to Wood, The Age, Melbourne, Australia, April 22 1975.
Clippings: Tehran Journal, Tehran, Iran, April 7 1975, Ruath Prachachart, Bangkok, August 1 1975,
Tai Rath, Bangkok, August 15  1975 and Kyoiku Gakujyutsu, Japan, September 15 1975.
Maria Schofield, Decorative Art and Modern Interiors, published by Studio Vista, 1975.
Peter Drummond, Woodcraftsman Stephen Hogbin film, Australian Crafts Council, 1976.
Dona Meilach, Creating Small Wood Objects as Functional Sculpture, published by Crown Publishers, NY, 1976.
David Hartmaier, Revolutionaries on Parade, Melbourne Sun, April 21 1976.
Wendy Day, Your Choice of Chairs..., Toronto Star, August 8 1977.
Susan Himel & Elaine Lambert, Craftsman's Designs Take Shape in Wood, Toronto Star, July 23 1977.
Stephen Hogbin, The Wooden Screen, Craftsman, Volume 2, December 1977.
Alan Peters, Richard Raffan, Turn and Turn About, Crafts #30, Jan/Feb, 1978.
Rehearsal, Artsmagazine #38/39, June 1978.
J.M. Vastokas, Architecture Meaning & Value, Artscanada, #218/219, 1978.
Wood, Crafts Canada, August/September 1978.
Stephen Hogbin, The Purpose of Making, Fine Woodworking, #13, 1978.
Stephen Hogbin, Turning Full Circle, Fine Woodworking, #21, 1979.
Stephen Hogbin, Wood Turning, Published by John Ferguson, Australia & V.N. Reinhold, NorthAmerica, 1980.
Wood, Rampike, spring 1981.
John Flanders, The Craftsmans Way, Published by University of Toronto Press, Toronto, 1981.
John Kelsey, The Turned Bowl, Fine Woodworking, #32, 1981.
Jeanne Parkin, Newmarket Connection, Art in Architecture, published by Visual Arts Ontario, 1982.
Stephen Hogbin, Essence of Craftsmanship, Artisan (year end issue) 1982.
Stephen Hogbin, Hogbin's Remarks, Craftnews, vol.7, #7, 1982.
Sharon Burnside, Big Stuff Display Boosts Community Art, Sun Times, November 10 1982.
Stephen Hogbin, Critical Process, Craftnews, vol.8 #4, 1983.
Christopher Wilk, The Art of Woodturning, published by The American Craft Museum, 1983.
Stephen Hogbin, Critique, Workshop, spring 1983.
Stephen Hogbin, Commission, Touch Wood, vol.5 #4, 1983.
Stephen Hogbin, Commission, NSDC Newsletter, February 1983.
Stephen Hogbin, Review - Four Canadians, Workshop, fall 1983.
Stephen Hogbin, Review - Four Canadians, Touch Wood, vol.5 #5, 1983.
Stephen Hogbin, Review - Four Canadians, Artisan, year end issue 1983.
Helen Duffy, Stephen Hogbin Polychromed Wood Reliefs, Ontario Craft, spring 1984.
Allen Smutylo, Images From The Land, Grey-Bruce Arts Council Forum, March 1984.
Jim Algie, Hogbin Builds Case for Public Art, Sun Times, September 1 1984.
Stephen Hogbin, Review - Out of the Woods Exhibition, Ontario Craft, fall 1984.
Philip Keatley, Hand and Eye (Touch Wood) CBC Video, 1984.
Edward Jacobson, Art of Turned-Wood Bowls, E.P.Dutton Inc. 1985.
Robert Reid, Community Sculpture 85, The Art Post, October/November 1985.
Jim Algie, Search for Healing Images Opens Local Wounds, The Sun Times, Feb.9 1985.
Manya Winsted, Collectors of High-Rise Haven, Phoenix Home & Garden, November 1985.
Stephen Hogbin, Variable-arm Milling Machine, Fine Woodworking, July/August 1985.
Richard Leroux, Community Sculpture 85, Video, Cambridge Gallery, 1985.
Stephen Hogbin, Black & White, The Craft Factor, spring 1986.
Stephen Hogbin, Criticism/Critique, The Craft Factor, spring 1986.
1986 Stephen Hogbin, Intersections & Other Installations, artist-made catalogue for Durham Gallery exhibition, 1986. 
Jim Algie, Billboard Art Can Provide Useful Lesson, Sun Times, July 12 1986.
Constance Bond, Turning to Wood at the Renwick, Smithsonian, vol 17 #4, July 1986.
Tom Hurley, Artist Meets Router, Canadian Workshop, September 1986.
David McFadden, Sound Art, Vanguard, Oct./Nov 1986.
Stephen Hogbin, The Painted Room, catalogue for Tom Thomson Memorial Gallery exhibition, 1987.
Stephen Hogbin, Portfolio 187: 'The Painted Room- Opening Remarks..., Forum News, April/May 1987.
Luann LaSalle, Diary-grams, Sun Times, March 9 1987.
Helga Loverseed, The spirits of pilot, painter in Owen Sound, Globe and Mail, March 28 1987.
Betty Freudenheim, Exhibition of Turned Wood, The New York Times, June 18 1987.
Dan Morris, Wood becomes exciting, Arkansas Gazette, Sept 18 1987.
Stephen Hogbin, Subject Gender Object, Crafts Report, November 1987
Philadelphia-USA, Ein neues Drechslerzentrum, Holz und Elfenbein, Mars/April 1988.
Stephen Hogbin, Subject Gender Object, Forum News, Spring 1988.
Ellen van Wageningen, Artists Creating Public Sculptures Near New Gallery, Sun Times, July 9 1988.
Jim Algie, Local Artist In Skydome Competition, Sun Times, Sept. 13 1988.
Robert Brehl, Artists Vie To Create , Toronto Star, Sept. 8 1988.
Jim Algie, Humans Versus Nature, Sun Times, Aug 27 1988.
Tom Hurley, Furniture-making In Toronto, Fine Woodworking #73, Nov/Dec 1988.
Catalogue, Art at Queens Park, The MacDonald Block Queens Printer for Ontario, 1989.
Joan Read-Olsen, Hands Over Time, video, TV Ontario, March 16 1989.
John Perreault. Turning Point American Craft, Vol 49 #1, Feb/March 1989.
Cheyrl Bauslaugh, Wood relief panels present optical challenge to viewer, Simcoe Reformer, Nov. 24 1989.
Helen Brimmell, Something different, Daily Mercury, April 28 1989.
Philip Beesley, Stephen Hogbin; Painted Reliefs, Ontario Crafts, Fall 1989.
Stephen Hogbin & others, Is function good form, Ontario Craft, Summer 1989.
Steve Loar, Wood Turning: The Purpose of the Object (book review), Turning Points Vol 2, #4 Fall, 1989.
Stephen Hogbin, Political Landscapes #12, Catalogue essay. Tom Thomson Memorial Art Gallery, 1989.
Kit Lort, Raymond Moriyama. Ontario Craft, Spring 1990.
Stephen Hogbin, Re:Turning; Works by Stephen Hogbin 1970-1990, catalogue essay Ontario Crafts Council,1990.
Stephen Hogbin, Works (and Words) by Stephen Hogbin. Woodwork, #8, Winter 1990
Stephen Hogbin, Re:Turning; Works by Stephen Hogbin, Can. Society of Decorative Arts,
Vol 8 No 4, August 1990.
Susan Glover, On the Land: Essays and Images, introduction to the artists. Ginger Press Inc. 1990.
Christopher Thomas, On the Land: Essays and Images, Radio Noon, June 21 19909.
Pam Heaven, Shows looks at 20 Years, Sun Times, Aug 3 19909.
Albert & Tina Le Coff, Re:Turning; Works by Stephen Hogbin, Turning Points, Vol 3 No 4
Fall/ Winter 1990.
Pictorial Feature, Woodturning, No 2 Winter 1991.
Sheila Britton, Jacobson Collection: Greater Phoenix Public TV KAET, Feb 10 1991.
Steve Loar, Re:Turning; Works by S.H. twenty years of innovation. Fine Woodworking, No 87 April 1991.
Stephen Hogbin, Entrances...; a study of 'washroom' doors and symbols. Ginger Press Inc. 1991.
Stephen Hogbin, Political Landscapes #2. Colonial Root in Site, Tom Thomson Memorial Art Gallery, 1991.
John Wright, Political art about sacred land, The Sun Times, September 9 1991.
Vic Hyde, A Lot of Activity at the Cultural Centre. Burlington Post, July 19 1991.
Jeff Mahoney, Furniture polish, The Spectator, August 22 1991.
Beesley and Fritz, Furnished: Stephen Hogbin Private, Public and Political Furniture. Ontario Craft winter 1991.
Edward J Sozanski, Lathe-turned artwork at Port of History, Philadelphia Enquirer, June 27 1991.
Bryce Kanbara, Sherry Pribik and Stephen Hogbin, The Centre, Summer 1991.
Kate Oram, Non-essential Embellishments: Focus on Canadian Craft. Brighton Polytechnic, June 1991.
Elaine Hujer, Artist is endowed with power to provoke visions. The McMaster Courier, January 29 1991.
Stephen Hogbin, Public Art in the Owen Sound District. Sounding, Summer 1992.
Pam Heaven, Program explores the body in public art. The Sun Times, June 18 1992.
Stephen Hogbin, Is Craft Indispensible to all Creative Work. Turning Points, vol 5, #2 1992.
Stephen Hogbin, Morals of the Story. Crafts, September/October 1992.
Mary Baxter, Exhibit Combines Two Worlds. The Sun Times, September 12 1992.
John Barber, Room screens fascinate designers and artists. The Globe and Mail, September 10 1992.
Stephen Hogbin, Turned Form, video review. American Woodturner, vol 7, #3, 1992.
Douglas Brown, William Morris at Owen Sound. The William Morris Society of Canada, Summer 1992.
Don Crosby, Public art in Owen Sound. The Citizen (July 22)
Andrew Tomik, Considering Space: Interior Screens by Artists and Designers. Ontario Craft, Winter 1992.
Scott Landis, Conservation by Design, Museum of Art Rhode Island School of Design, 1993.
Scott Dunn, Artists design city bike poles, Sun Times, July 8 1993.
Lise Mollon, A Sence of Place: Art, Regionalism and Owen Sound, Lifestyles, Vol. 1, No. 9, Feb 1993.
Bobby Hansson, World Turnout, American Craft, Aug/Sep 1993.
Mary Baxter, Fifth Season Cycle Centre, Mosaic, June 1994.
Stephen Hogbin, Mapping I dentity, Sounding, #5, Winter 1994.
Andrew Goss, Cycle Centre as Public Forum, The Owen Sounder, Autumn 1994.
Gisele Winton Sarvis, A brush with marine history, Collingwood Connection, 15 February 1995.
Stephen Hogbin, Fifth Season Cycle Centre. Turning Points, Vol. l8, #1, winter 1995.
Rachael Rafelman: In the Comfort Zone. Ontario Craft, 1996.
Terry Martin, Wood Dreaming. Harper Collins Publishers, Sydney, Australia, 1996.
Terry Martin: Conducive to Creation. The Craft Factor, winter 1996.
Stephen Hogbin, Curators Focus: Turning in Context. Intro. essay. Wood Turning Center, Philadelphia, Pennsylvania, 1997.
A sampling of papers from the 1993 World Turning Conference, 1997.
Turning points, Wood Turning Center, Philadelphia, vol 10 no 1, 1994.
Bill Henry, City Connection, Sun Times, 17 October 1994.
Alan Lacer, World Turning Conference, American Woodturner, December 1997.
Robin Ryce, As the World Turns... Philadelphia City Paper, Oct 3 1994.
Stephen Hogbin, Remembering Don McKinley, Furniture Society. Newsletter, 1998.
Stephen Hogbin, Wood. an aesthetic and social ecology. Tom Thomson Memorial Art Gallery, 1998.*
Francis Martin, Multimedia artist shares experience. Monash University News, April 1999.
Michael Young, The Play of Space Time and Materials, Art Beat, Feb/March 1999.
Jane Friedman, The Power to Probe, American Style, Winter 2000.
Stephen Hogbin, The Play of Space Time and Materials: Return to Australia. Turning Points, Winter 2000.
Stephen Hogbin, Appearance and Reality,: A visual handbook for Artists, Designers and Makers.
Cambium Press, Bethel, U.S.A. Spring 2000.
Stephen Hogbin, Prototypical Furniture. Woodwork Magazine, Novato, California,U.S.A. June 2000.
Living with Form: The Horn Colection of Contemporary Crafts. Arkansas Arts Center, 2000.*
Jane and Arthur Mason Collection, Mint Museum, 2000.*
Arno Verhoeven, Talking Through Circles, Turning Points, Vol. 13, #2, Summer 2000.
Looking Forward: New Views of the Craft Object, Ontario Crafts Council. Catalogue, 2000.
The Resurgence of Wood Turning, Fine Woodworking, 25th aniversary edition, New Town, U.S.A. 2001.
Challenge VI Insights and Inspirations in Contemporary Turned Objects, Wood Turning Center, U.S.A. 2001.
Wood Turning in N. America since 1930. Yale University and Wood Turning Center. Catalogue, 2001.
Iona S. Elliot, Turning Full Circle. Woodturning #111, May 2002.
William Zimmer, ... So Much Style. The New York Times, September 22, 2002

COLLECTIONS

Canada Council Art Bank, Ottawa, ON.
Metropolitan Toronto Library, Toronto, ON.
Canadian Guild of Crafts, Toronto, ON.
Canadian Imperial Bank of Commerce, Toronto, ON.
Crafts Association of Victoria, Australia.
Crafts Board, Australia Council, Australia.
National Gallery of Australia, Canberra, Australia.
Edward Jacobsen Collection, Arizona State University, U.S.A.
Jean A. Chalmers Bicentennial Collection.
Massey Foundation, Museum of Civilization, Ottawa, ON.
Melbourne State College, Australia.
Mendell Art Gallery, Saskatoon, SK.
Ontario Ministry of Community Services, Toronto, ON.
Palace Pier Inc. Toronto; Parnham House, United Kingdom.
Tom Thomson Memorial Gallery, Owen Sound, ON.
CIL Inc., Willowdale, ON.
Government of Ontario, Toronto, ON.
Ontario Northland Marine Services, North Bay, ON.
Constitution Square, Ottawa, ON.
Noranda Sales, Toronto, ON.
V&A Properties, Toronto, ON.
Woodturning Center, Philadelphia PA, U.S.A.
Donald L. McKinley, Oakville, ON.
Canadian Craft Museum, Vancouver, B.C.
Irvine Lipton Collection, Los Angeles, California, U.S.A.
Robyn and John Horn Collection, Arkansas, U.S.A.
Jane and Arthur Mason Collection, Washington D.C. U.S.A.
Ron and Anita Wornick Collection, California, U.S.A.
Mint Museum of Art, Charlotte.
L A County Museum, Calififornia, U.S.A.
Norman and Petah Creighton, East Gippsland, Ausrtralia.
Forestech, East Gippsland, Australia.
Monash University, Australia.
Gippsland Art Gallery - Sale, Australia.
Longbeach Museum, California, U.S.A.
Ruth &Dave Waterbury, Minnesota, U.S.A.
Fleur and Charles Bresler, Maryland, U.S.A.
American Craft Museum, New York, U.S.A.